Exclusive Artist Review: Cornelius Wright – “Bandit” Album

Rising Hollywood rapper Cornelius Wright began heating up the streets with his distinctive bars and hooks since his inception into the market in 2011. Originally hailing from Chattanooga in Tennessee, Wright’s gritty and innovative signature sound has garnered him an insatiable growing fan base and the independent artist over the years has proven to be a standout of his calibre with both his talent and work ethics collectively.

Now in 2021, the manifestation of Cornelius Wright’s craft comes full circle with the album release ‘Bandit’, comprised of nine hypnotic tracks that diligently showcase his own unique breed of Hip Hop with several crucial musicianship factors and cohesive elements as a songwriter. After the success of his first two singles earlier this year, Wright knew that he’d have to come out swinging with his follow-up release after already setting the bar high for himself. True to that notion, he did exactly that with ‘Bandit’, which is also a milestone for him considering it’s his debut album. There are many highlights on this record, and one of those highlights is opening track “Shine (feat. Maal the Pimp)”, an excellent banger that sets the tone for the rest of the album with Cornelius Wright’s aggressive and witty flow that gives him his distinctive stylization. This heavy-bass beat is very ambient and really gives Wright room to deliver an effective and dangerously catchy chorus alongside visceral verses that parallel each other brilliantly. This track opens the record powerfully and really serves up many crucial flavor throughout the song’s duration.

Now while this album has very innovative ideas and formulas, it also touches on originality and familiarity within the underground spectrum with the track “It’s Dark And Hell Is Hot”, boasting a flavorful 90s sensibility that showcased Wright on a whole different angle. And one thing he maintains in this track is his ability to be consistent while exploring other directions. His artistic merit is just as effective even when the formula changes, something not heard often in today’s market for Hip Hop. The beat on this track has an anthemic and subtle overtone that allows Wright to have plenty of breathing room to deliver his distinctive style of lyrical outbursts, giving us more of what we’ve come to know on this album while implementing new approaches as the cohesive measures play out.

One more notable track on this record is “Dusk Til Dawn (feat. Vanessa Krauss)”, a hauntingly ominous song with R&B components which diligently enhance the multi layered textures already present in the song. Vanessa Krauss vibes on this track with a hypnotic vocal melody in the chorus that really adds a multitude of flavor. Wright brings out a more low-toned vocal delivery that builds up to a climactic resolution, keeping the listener on the edge of their seat. Once again, this track is another example of the different effective angles that take place throughout the album, almost like chapters. But they are coherently structured and put together in a way similar to how puzzle pieces form the entirety of an overall picture. And that’s what we get with ‘Bandit’, many chapters and milestones with each song being the contributing factor to a collection that forms one big picture and payoff. And once it comes together, you look at in awe and come back to it time and time again to admire its presence and influence. This album will easily satisfy any Hip Hop fan whether it’s old school or new school – it has a bit of everything and never leaves a stone unturned. You can get your copy of ‘Bandit’ now on YouTube, Spotify, Apple Music, iTunes and all other digital music streaming platforms.


Connect/Listen:

©️ Artist Reach, LLC | ASCAP | All Rights Reserved
Advertisement