Artist Review: Bad Marriage – “Old School Stereo” Official Music Video

Review by: Justyn Brodsky

Grab 5 of the best musicians you personally know with similar artist influences, stuff them into one explosive package, and this is the band you get.

A lot of artists have tried to “bring back” the hair band era. Most have failed at it, and some comically pushed themselves to notoriety with it (ie: The Darkness, Ugly Kid Joe, Green Jelly).

Then there’s Boston’s Bad Marriage. A band I truly believe has re-captured what other bands have tried their damndest to capture, but at the same time have put their own spin on the era. And their song “Old School Stereo”, accompanied by a cinematic music video, tackles this concept perfectly.

A band that’s only been around since 2016, these guys have it all – down to the image, style, talent, but best of all – songwriting ability. The chemistry and cog of the machine is comprised of riffy guitar tones and chugs, a pounding rhythm section, and a vocal range that fits this genre like a glove. And although Bad Marriage just by their photographs seem to be a band just lusting for the 80s, they are so much more than that. And it’s this particular song and music video that emphasizes exactly what they’ve managed to bring to the table.

Bringing all the elements from the late 70s and 80s we’ve come to know and love, “Old School Stereo” brings forth a concept that shows us that a band can still execute an old school genre in today’s mainstream sensibility. The video is straight-forward with girls, cinematography, a charismatic and energetic show experience, and a song & video that is produced in a way that showcases Bad Marriage most effectively. Everything from the dangerously catchy chorus, gang-style harmonies, and the overall aura that has made rock & roll what it is today.

And we are definitely not the first ones to take notice of the gem that this band really is. They’ve opened for a vast array of legendary acts, including Buckcherry, Eddie Money, Extreme, Dokken, the Michael Schenker Fest, John5, LA Guns, and many more.

I could seriously go on all day about how fucking awesome this band is, but I think it’d be a better idea to just take our word for it now and go watch/listen to “Old School Stereo” and let Bad Marriage speak for themselves. You’ll be glad we sent you there.

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Artist Review: Bygone Civility – “Circling Again” Single

Review by: Justyn Brodsky & James Henes

Infectiously catchy, top-notch musicianship, and limitless production value might be a few ways to describe Bygone Civility‘s single “Circling Again”, but we think it all combines perfectly as a way to portray this gem through the collective musician & listener’s ear.

This song really emphasizes on a lot of key factors — dynamic songwriting, quality lyrics, and versatility. This track is definitely indicative of musician’s that really have a chemistry when it comes to composition and production, because this song has endless likability factors.

Elements of the early-mid 2000s are present while we can still hear some of the iconic music we grew up listening to in the 90s era. The vocals are on point with the effective and charismatic-yet-subtle delivery, but keeps the perfect balance and composure that keeps its aura relevant, elegant, and out in the forefront appropriately.

“Circling Again” is definitely a brilliant demonstration of the members behind Bygone Civility. You can hear depth and substance contributed from each instrument and additive that is brought out authentically, and production-wise. They sustain a very natural sound and don’t marry themselves to a particular type of formula; you just hear a cast of dynamic musicians that are innovative, creative, and multifaceted with a signature sound and stylization that almost anyone can appreciate.

“Circling Again” will definitely entice you to look into more of what Bygone Civility has to offer. And we suggest you do just that. You will not be disappointed.

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Artist Review: Phoenix O’Neill – “Out Of The Ashes” EP

Review by: Justyn Brodsky

If talent and opportunity ever came knocking, it pretty much beat down the doors for 23-year old British Singer, Phoenix O’Neill.

And she has pretty much hit the ground running since her captivating voice and intricate, dark songs found its way to renowned producers James Sanger (Dido, Keane, Siobhan Donaghy, Brian Eno) and Paul Kilmister (son of legendary late Motörhead frontman, Lemmy Kilmister), who teamed up to form SangMister Music, who have contributed heavily to O’Neill‘s haunting and hypnotic signature sound from her upcoming EP Out Of The Ashes.

O’Neill‘s spellbinding vocals have been compared to Amy Winehouse, Elle King, and a touch of Björk, with eerie melodies similar to Massive Attack and Portishead. But we also hear a ton of new school sensibilities from other icons such as Lorde, Becky Hill, and Lana Del Rey — really giving Phoenix the balance and composure that makes her stand out most effectively, and unforgettably.

Her single from the EP, “I Need You”, brings out these many components stemming from her gifted vocal range and texture, artist inspiration & development, and a powerhouse Production team all honing their craft together beautifully — delivering us a sound that is familiar yet dynamically fresh. As soon as this track starts, you’re immediately hooked into Phoenix and her vocal aura; there’s no way around it. You will easily wonder how this artist isn’t already blown up to super stardom. But that’s why we, at Artist Reach, are privileged and honored to be one of the first music platforms to get a listen of Phoenix O’Neill‘s upcoming record that’s going to captivate every set of ears it encounters with.

“I Need You” is also accompanied by a very cinematic official Music Video that gives you a visual element that really parallels with the chemistry of the song. It’s an Audio and visual imagery that’ll really bring you to a front-row-edge-of-your-seat experience, and also really showcases Phoenix in a way that makes her most compelling, and eye catching when it comes to her overall look, style, and performance.

It’s rare that a gem shining this bright comes along with not only a versatility of talent, but also with the right people backing it as well. Hailing from the UK, from there to the rest of the world, open your eyes and your ears and give a huge welcome to Phoenix O’Neill. She will not let you down.

“Out Of The Ashes” releases on April 30th.

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Artist Review: Blaque Rose

Review by: Justyn Brodsky

This is definitely new food for the ear, and a taste that’s very acquired and inspiring.

Blaque Rose came out of the gate recently and we’re happy to say that we get to be the first ones to write about some of his music from his upcoming release, slated for this year. First of all, a lot of EDM & Electronic Music comes to the platform quite often, but I gotta say that BR definitely brings a versatility into his music that is something raw and original compared to others I’ve heard.

One thing I can hear is some of the 90s elements in some of BR‘s sing-songy hooks. I can hear elements of The Cure with a touch of Radiohead, somewhere on that plateau. There’s a fresh and catchy feel to every chorus, especially on his track “Needed You”, which opens up with the hook. And it definitely reels you right in.

He also displays a lot of charisma in his verses on “Chosen Ones” where you can really hear Blaque Rose coming into the forefront and adding more chemistry and cog to the mix to develop a dynamic signature sound and stylization. Another element he adds is Retro, a very innovative style and groove that separates him from most contemporary Electronic artists. This approach is definitely different than one might expect just from the word Electronic alone. And that’s one of BR‘s best likability factors – he’s bringing something raw to a very familiar concept, and an original concept to a familiar genre.

His upcoming release is coming out this year, and is in its mastering/production stages. You will likely see a follow-up review when he officially drops the record. In the meantime, connect with Blaque Rose and get to know him as he continues to manifest.

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Artist Review: Empire Of The Ants

Review by: Justyn Brodsky & Mark Sullivan

An audio and visual realm of ambience, texture, and a familiar versatile stylization.

With many years under their belts as songwriting musicians from the UK cityscapes of West London, dynamic studio-duo Empire of the Ants bring us a fresh take on stylized Electronic Rock with 90s-era Grunge and Industrial influences that are among some of the best we’ve come to know.

Their music video for “Radar” is a solid first impression of the band. With a low to mid vocal range in the forefront, this ambient and subtle track really explores a progressive edge that shows comparisons to pioneer artists such as The Cure, Muse, and David Bowie. With a driving rotund low end and attention-grabbing vocal content, this listening experience parallels perfectly with the visual experience perfectly, and really shows you a style and image that is not only fresh-faced, but pays homage to some of the best music eras we’ve come to know and love over decades.

Their second video “Sirens” brings a more upbeat side to the duo with great cinematic elements with stunning use of color. This grunge/industrial crossover sustains an energetic flow but still brings out the same ambience that really gives Empire of the Ants the signature sound that solidifies their artistic merit and persona.

Their third video, “Utopia”, is another stroke of visual gratification with excellent blends of black & white cinematography. The song is very climactic and utilizes significant structures that deliver a buildup that makes this song an effectively compelling measure-for-measure and frame-by-frame experience. This one definitely looks and feels like the heart of their sound, and showcases their originality the strongest.

All 3 of these music videos are very much worth the watch & listen. If you’re into the classic 80s/90s Rock/Industrial era with magnetic framework and production value of today’s modernization, then Empire of the Ants will be added to your list of discoveries you wished you discovered much earlier.

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Artist Review: Cat Beach – “Go to Work” Single

Review by: Justyn Brodsky

Another astonishing and compelling reason that the Nashville music scene never disappoints.

That reason comes in the form of the charismatic and artistically articulate recording artist Cat Beach. A pioneer of the city’s renowned music scene with all the right ingredients to showcase some of today’s finer modernized Country & Blues.

Her hot single “Go to Work” is a perfect demonstration of how these ingredients are mixed with Cat Beach‘s very impressive mid-vocal range and groovy production value. While this song lyrically could be the polar opposite of the acclaimed “Take This Job and Shove It!”, we still get to grasp the same catchiness in a whole new way; except this time, you go to your job rather than quitting it on bad terms.

It’s only a lyrical reference however. The song itself is a very enchanting danceable experience with great backup vocals to compliment Cat Beach‘s fun, witty vocal style and bluesy riffs that drive this song forward. It starts out with a bang and cruises with a modernized take on classic Blues progressions that many famous songs utilize, but has a whole different kind of originality and versatility that emanates from every measure. Its message is conveyed beautifully and makes this song very addictive and quite the fun listen.

“Go to Work” has that staying power that will keep you coming back to this song again and again, as well as entice you to check out more of Cat Beach‘s catalogue. If you dig a catchy tune with a big band experience, then this song is definitely for you; and will give you another reason to absolutely adore the Nashville scene.

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Artist Review: Natasha Jane Julian – “Now I Know” Single/EP

Review by: Justyn Brodsky


When it comes to turning heads and capturing the ears, renowned Pop recording artist Natasha Jane Julian does exactly just that with her recent EP Now I Know.

Natasha, from a small mountain town in Southern California, gained a lot of her on-stage experience as a showgirl, performing relentlessly in theatres and dance shows. When Natasha moved her stomping grounds to the landscapes of Florida, her experience in music hit the ground running when she joined forces with an eclectic band called Psychedelic Mist. 

A handful of shows and an EP later as a band, Natasha decided to spread her wings of versatility and began to find her vision as a solo artist by the time 2015 came around, and respectively departed from Psychedelic Mist. 

This is when Natasha began her Artist Development process, and decided to take time off gracing the stage to hone her craft, find her sound, her musical niche, her inspirations as well as aspirations, and even learned piano during this time, which took place around 2016, and even added learning some guitar during the process; refusing to leave a stone unturned. 

After some years of blossoming into a solo artist, Natasha Jane Julian released her debut EP in June 2016, Now I Know. The first single from this freshman-effort was her Rock-influenced track “Gemini Twin”. The EP received positive reception, critical acclaim, and eventually prompted Natasha to make her rounds throughout the cityscapes; she currently has an elite team of musicians now gigging her original songs all over the US, UK, and more.

But the one that really stands out is her EP-title track, “Now I Know”. A song that’s tight, well-put-together, and charismatic. Natasha‘s mid to high singing approach breathes life into this song and really parallels the musicianship, as well as structures. It screams with melody as well and fits every piece of the song like puzzle pieces. So I have to really tip my hat to Natasha Jane Julian. Her musical acclaim and path is very promising.

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