Artist Review: The Keymakers – “Good For You” Single

Review by: Justyn Brodsky


R&B the way it should be, and a groove that was meant to make you move.

Dynamic duo, The Keymakers, are some very talented voices contributing to the R&B and Hip Hop flow that makes artists like these guys stand out in versatile ways with a signature sound that could easily appease both old school R&B fans, and new sensibilities. A sound that’s integrated in natural production value between the duo with their current buzzing single, “Good For You”. A track of sensuality and a great showcase of both voices honing their craft in order to do their part as a duo with a duality approach. It’s a brilliant mix for any avid listener of the R&B good nature along with the rhyme and flow that beautifully drives this song forward.

There’s many twists and turns in different ways with many different dynamics that The Keymakers succumb to. You can hear many artist influences, but there’s a vibe and natural persona that absolutely puts likability factors in the forefront with the duo. It only takes one listen to really hear the witty edge and nostalgic factors that these two bring to the table, and really bring their own vocal structures and melodic executions right where they can grasp at your heart, ears, and mind. “Good For You” is definitely the song for you. A song with drive, diversity, both indie and mainstream sensibilities, and with the right marketing and getting this song out to the correct people (hint: That’s where WE come in), “Good For You” just might bring some good for The Keymakers future prospects. We can hear the potential loud and clear.



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Artist Review: Mercury & The Architects

Review by: Justyn Brodsky & Dave Welsh


As Plucky Duck would say, expect the unexpected. But with a multi-genre group with a chemistry unlike anything we’ve heard in quite some time, Mercury & The Architects really put together something raw, fresh, and akin to sonic alchemy. Their dark and melodic approach is transcending, but regardless, the stars really aligned when their songs were put together.

“The Wolf” starts with dark melodic piano and a cleverly shared intro that switches between the male and female vocals. Then after leading into a synchronized duet between the duo, we get an astonishingly unexpected uptempo beat that really kicks this song off and gets your head bobbing along as it progresses into something more. The duality that is conveyed between the male and female lyricists tells a very multi-layered and multifaceted story, which leaves enough room to let your imagination parallel with the song’s themed likability factors. Although dark, it has elements of what an uptempo EDM modernized pop song might have, however this darker spin diminishes the pop sensibility and instead indulges in something versatile with influences from The Clash, The Cure, Danzig, and Blue Oyster Cult. A blend that has yet to be touched on in the EDM world, making “The Wolf” an entity of its own.
The theatrical and melodically string-oriented track “Genesis” really shows a whole different side to this artist. This track is far more structured with twists, turns, and mood swings that really show different components of the writing style and use of different plugins and post production. The low-to-mid vocal range really sets the tone for every song, and brings a charismatic nature that is powerful and versatile. The climactic Hip-Hop sequence really adds to the song’s depth and character of how the song is put together. It’s a track you’ll find yourself coming back to and hearing something more each time. It ends brilliantly subtle, and leaves you frozen in your seat.

“Machine” is very lyrically insightful with a sort of Adele influenced vocal approach, but more stylized and original. The Hip Hop sensibility is more at the forefront in the verses and really captivates the energy that this song garnishes with the soft and sensual female-vocal chorus. One thing that sets Mercury & The Architects apart from your contemporary artist is their content and arrangement; elements and chemistry from the lyrical content to the versatility of how each track is executed with different moods, concepts, likability factors, deep insights, and a style that always keeps you guessing. This is an edge-of-your-seat experience, as it has been with every track we’ve heard. You definitely won’t hear the same thing twice, and each voice carries its own weight to make each song a gem; something that is truly unique and stylized. 

Like any other group, there is probably a story behind the artist name. However to us, looking from the outside in, the group name definitely fits with Mercury being a flowing metal and the architectural arrangements and precision of each song puts justice to being synonymous with an Architect and songwriting. 
If you crave amazement and something completely mind-blowing out of the box, then Mercury & The Architects do justice.

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Artist Review: Untitled Art – “Philly To Long Branch Part 2” Single

Review by: Justyn Brodsky


Energetic, fast, relentless, and a blast of versatility in the EDM wave. 

I’ve never really heard anything like this. Untitled Art brings us a fast-paced and heavy presence with their powerful, grungy take on EDM with their single “Philly To Long Branch Part 2”, presenting some of the most impressive vocal executions that could be displayed with this type of in-your-face energy. 

It’s melodic, versatile, unforgettable to the ear, and absolutely original. It starts out completely eye-brow raising and continues to get more insatiably dynamic, innovative, loud, and action-movie worthy. 

The vocal ranges and overall mix is one of the best parts that brings out the mastered craft and artistic merit with this single, and it never outdoes itself in any way. The structures continue to stay loud, but melodic. Its formula is very fresh, but you can still hear many of yesterday and today’s musical influences that give this song extremely high likability factors. It’s definitely a song you’ll come back to time and time again, especially if you’re looking to blast something raw and original to your friends or music lovers looking for new food for the ear.

This is a brilliant single, and it definitely entices you to research more into what Untitled Art has available in their past catalogue, and future collectively. Chances are, you won’t be disappointed in the least.

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Artist Review: Woochia – “Bus” Single

Review by: Justyn Brodsky


This London-based Producer of Music & Videography displays a lot of versatility and character depth as an artist with his Melodic-oriented Techno.

Woochia, a French Artist & Producer with his own crafty signature sound, is a very dynamic and effective songwriter and composer behind the mixing board, and processes heavily every-day sounds to create smooth and melodic techno tunes. Inspired by progressive rock bands such as Tool or Rishloo, he strongly implements wide atmospheres and ambient meditation sounds and moods in his music. 

His single “Bus” is quite a ride. It’s a well-executed buildup as the track plays on and, like said, has very melodic signature moods and components that drive this song to keep building ontop of its formula as the track began. There are some twists and turns in the measures ahead, but they’re very appropriately fitted for the song. It also keeps you focused, but at the same time, relaxed and soothed by the subtle changes of how strong or delicate the moods shift. 

Woochia definitely leaves a great impression on you as a Producer; one that knows the mixing board like the back of his own hand. But his compositions, especially with his diversity of EDM and the melodic components that really add the flavor to the overall mix.

This is a very promising track for those who haven’t discovered Woochia yet. It’s a song that will leave a strong impression on you. And will make you morbidly curious to hear what the rest of the EP has in store.

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Artist Review: Ross Campbell with the Fat Band – “Super Circuit Man”

Review by: Justyn Brodsky


If James Brown, Pink Floyd and The Polyphonic Spree had surrogate sons, they would be Ross Campbell with the Fat Band.

Their multi-genre & Funk Rock track “Super Circuit Man” is a clever accumulation of choir-style vocals that build on a fresh funk sound with dynamically precise Rock elements. This is a track that is very difficult to fit into a specific genre. It’s more like a delicious stew, with additives of ingredients, creating something very tasty with plenty to go around.

And that could be a good way to describe this song—you won’t go hungry. Ambient guitar solo? Check. Catchy multi-vocalized melodies? Check. Surprises around every corner? Absolutely. This is definitely something you haven’t heard quite yet, even though you can hear some very crucial influences. This however, does not effect their originality or versatility. It captures a brilliance that keeps you paying very close to detail.

The production quality is right where it needs to be. While the vocals are more of a chanting-stylized effort, the musicianship wraps itself around the entirety of the song and really lets the foreground stay open to almost any possibility. Something that really gives you a chance to hear the detail for what it really is, and the talent that exceeds your expectations.

Best thing to do is to give this one a listen. It’s a relentlessly crafty song that really takes your body and mind for a spin. Give it a listen and see (as well as hear) for yourself.

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Artist Review: Anton Cullen – “Breaking Through” Single

Review by: Justyn Brodsky


EDM with 8-bit Nintendo Plugins and melodies? Sign me up!

Anton Cullen is an elite EDM producer and has a sound with a lot of twists and turns with his song “Breaking Through”. From clever progressions, memorable structures, and sound-effective melodies with a video-game spin, we get served a great value of production, tasty measures of melody, and brilliantly diverse song structures with buildups and breakdowns that compliment each other throughout the song’s captivating stride.

There’s a lot of unexpected fun breakdowns in this track that really showoff Cullen‘s versatility, which gives it a raw and original approach. It’s witty, danceable, and could easily be deemed as a club track or even a straight rave track you could loosen up your mind to, and just take what’s coming with its energy, aura, and nostalgic realm.

It’s something you can play just about anywhere; even your car to test out those new Sony Xplodes. Stuff like that. It’s not generic, but is very universal and holds a very unique balance in between being radio friendly, and straight-up gritty. It’s a toss up really (depending on the Disc Jockey).

No matter how you take this song in, Anton Cullen is new food for the ear. This has that sensibility that’ll definitely have you coming back to the song time and time again. The likability factors are there, so in my eyes, you’re gonna love this track too. Now go listen!

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Artist Review: Joe Kool

Review by: Justyn Brodsky


When it comes to music that never skips a beat, renowned DJ, Joe Kool, delivers the goods with his 30-minute charismatic and upbeat run-through of “This One’s Kool” from his Deep Frequency Mix Sessions; a record of twists and turns, bumps and grinds, and extremely dynamic production value.

The esteemed artist is no stranger to the turntables and has garnered critical acclaim along with an escalating fan base over the years from his insatiable experience in the field of House Music and its components to the genre; opening a world of opportunity to compose and create, to put his vision into an audio reality.

His beats have an old school approach, but have that powerful, punchy edge of today’s sensibility. It’s a brilliant 30-minute segment that’d be perfect for an event like Ultrafest. And though you can hear relentless House artist influences, there’s still a dynamic and versatile edge that makes Joe Kool stand out on his own. His transitioning between samples and the beats are smooth and never stray away from its formula. It has that classic 90s feel with today’s rhythmic and straight-forward production.

I’ve come across a lot of DJ mixes and House artists over the years, and it’s absolutely refreshing to hear something that doesn’t drench you in overpost-production, where the true character of a song or artist might be saturated or overdone. Joe Kool keeps it completely real, and his mixing and mastering efforts on “This One’s Kool” definitely does justice for his DJ abilities.

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