Artist Review: Terry McMahon Project – “Believe” Single

Review by: Justyn BrodskyBuffalo, NY’s Terry McMahon Project has a sound that brews some of yesterday and today’s artists we’ve all come to know and love, but still puts his own versatile touch to a signature sound the band can call their own.

The band’s leading man, Terry McMahon, has a signature sound reminiscent of artist influences ranging from Staind, Seether, Breaking Benjamin and Pearl Jam. Their modern rock sound is bold, pure, and powerful; driven by powerful, deep and emotional lyrics that really brings the listener to identify with their music from their own personal experiences.

The band’s anchor single “Believe” portrays a perfect example of this. The song’s dark, subtle and rock-infused combination of acoustic textures, edgy guitar riffs, and punchy rhythm section layers the music with a mesmerizing tone and puts their musicianship factors into the forefront that really brings a solidification to their perfectly blended chemistry. It’s a well-executed, multifaceted track that showcase’s Terry‘s vocals most effectively, and is evident throughout the song.

The implementation of the 90s and early 2000s era with today’s modern rock sensibilities makes Terry McMahon Project a standout of their caliber, and a refreshment of musical years many rock listeners miss dearly. Terry and his band gives you a refreshing reminder that brilliantly written music still exists, and that the era of music we all still yearn for is still out there if you look in the right places. You’ll be more than happy that you discovered Terry McMahon.

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Artist Review: The Mountain King – “Hitting Stellar Pipes”

Review by: Justyn Brodsky

A vast array of human emotions in musical form, The Mountain King brings their experimental realm to the surface with their powerful concept record “Hitting Stellar Pipes”.

It’s rare that you find a song/track of continuity that clocks in at 34:05, but once you step outside the box, you find an effectively dark and versatile composition that puts every emotion right into the forefront.

The music evolves as the track plays out, and is perhaps a dive into the conscious mind. It’s a tale of moods, melody, and a musical storyline that never wavers from its dark presence. With riffy and chugging distorted guitars and a punchy rhythm section, The Mountain King holds nothing back with coming at you from all angles of artistic expression. From glistening vocal melodies and heavily grungy elements, “Hitting Stellar Pipes” is a stellar exercise of human emotion in musical form.

The Mountain King is a very conceptual approach to many genre elements. The group of multifaceted musicians tell stories with their use of musicianship factors and instrumentation that makes their artistic merit stand out from anything else of their caliber.

If you wanna lay back, close your eyes, and experience music in a very direct way that hits human thoughts and emotions, “Hitting Stellar Pipes” hits home brilliantly.

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Artist Review: Bad Marriage – “Old School Stereo” Official Music Video

Review by: Justyn Brodsky

Grab 5 of the best musicians you personally know with similar artist influences, stuff them into one explosive package, and this is the band you get.

A lot of artists have tried to “bring back” the hair band era. Most have failed at it, and some comically pushed themselves to notoriety with it (ie: The Darkness, Ugly Kid Joe, Green Jelly).

Then there’s Boston’s Bad Marriage. A band I truly believe has re-captured what other bands have tried their damndest to capture, but at the same time have put their own spin on the era. And their song “Old School Stereo”, accompanied by a cinematic music video, tackles this concept perfectly.

A band that’s only been around since 2016, these guys have it all – down to the image, style, talent, but best of all – songwriting ability. The chemistry and cog of the machine is comprised of riffy guitar tones and chugs, a pounding rhythm section, and a vocal range that fits this genre like a glove. And although Bad Marriage just by their photographs seem to be a band just lusting for the 80s, they are so much more than that. And it’s this particular song and music video that emphasizes exactly what they’ve managed to bring to the table.

Bringing all the elements from the late 70s and 80s we’ve come to know and love, “Old School Stereo” brings forth a concept that shows us that a band can still execute an old school genre in today’s mainstream sensibility. The video is straight-forward with girls, cinematography, a charismatic and energetic show experience, and a song & video that is produced in a way that showcases Bad Marriage most effectively. Everything from the dangerously catchy chorus, gang-style harmonies, and the overall aura that has made rock & roll what it is today.

And we are definitely not the first ones to take notice of the gem that this band really is. They’ve opened for a vast array of legendary acts, including Buckcherry, Eddie Money, Extreme, Dokken, the Michael Schenker Fest, John5, LA Guns, and many more.

I could seriously go on all day about how fucking awesome this band is, but I think it’d be a better idea to just take our word for it now and go watch/listen to “Old School Stereo” and let Bad Marriage speak for themselves. You’ll be glad we sent you there.

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Artist Review: Untitled Art – “Philly To Long Branch Part 2” Single

Review by: Justyn Brodsky


Energetic, fast, relentless, and a blast of versatility in the EDM wave. 

I’ve never really heard anything like this. Untitled Art brings us a fast-paced and heavy presence with their powerful, grungy take on EDM with their single “Philly To Long Branch Part 2”, presenting some of the most impressive vocal executions that could be displayed with this type of in-your-face energy. 

It’s melodic, versatile, unforgettable to the ear, and absolutely original. It starts out completely eye-brow raising and continues to get more insatiably dynamic, innovative, loud, and action-movie worthy. 

The vocal ranges and overall mix is one of the best parts that brings out the mastered craft and artistic merit with this single, and it never outdoes itself in any way. The structures continue to stay loud, but melodic. Its formula is very fresh, but you can still hear many of yesterday and today’s musical influences that give this song extremely high likability factors. It’s definitely a song you’ll come back to time and time again, especially if you’re looking to blast something raw and original to your friends or music lovers looking for new food for the ear.

This is a brilliant single, and it definitely entices you to research more into what Untitled Art has available in their past catalogue, and future collectively. Chances are, you won’t be disappointed in the least.

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Artist Review: Suburban Vermin

Review by: Justyn Brodsky & Dave Welsh


An energetic old-school stylized punk rock trio from Seattle with chicks filling the guitar and drum roles? Sign me up.

Just like Dead Kennedys before them, this punk trio has the ability to draw you in just with their controversial band name alone: Suburban Vermin. Witty, clever, and eye-brow raising, the curiosity to hear them just becomes morbid.

So after doing just that, I couldn’t help but admire this band’s instant-classic sound that leaves you relieved that bands like Suburban Vermin still exist. A band that is 100% authentic, and keeping the music that Seattle is known for alive and well. Their sound is a plug-in-and-just-fucking-play kind of approach without the need of any kind of synthesized theatrics; straying far from mainstream antics.

And that’s what punk has always been about, and for a band in this era to still stick with that same formula along with the values that corroborate it makes Suburban Vermin a band that deserves undivided attention from all true punk/Seattle-scene fans out there that still remember that the scene where this band comes from was, and always will be, iconic. And Suburban Vermin belongs in that collection of bands that have contributed to the genre and music scene as some of the most influential.

The production value is a perfect showcase of their authentic and traditional persona as a band, and the male and female vocal leads compliment their sound beautifully and add a very charismatic and signature style that also gives them a lot of room for versatility as well. Basically, if you’re a fan of the Seattle scene’s most influential bands (both mainstream and underground), then Suburban Vermin is a band you’ll be adding to your list of favorites. They’re a rare gem, and a breath of fresh air that true punk rock is still alive. It’s bands like them that keep it not only alive, but going strong as well.

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Artist Review: Damson Blaze – “Hush” Single

Review by: Justyn Brodsky


Female vocals? Check. Catchy chorus? Check. A guitarist with enough Flying V’s to fill an entire room? Check.

With a great combination of 80’s and 90’s Female-fronted rock with some of today’s mainstream sensibilities, Virginia quartet Damson Blaze delivers a fresh in-your-face rock anthem with their newest single “Hush”

You can definitely hear some of our favorite iconic influences from this band, including Deep Purple, Rush, and a pinch of Pearl Jam. However Damson Blaze have manifested into a sound that is recognizable, lovable, and focuses more on writing some killer rock songs to entertain the crowd rather than delving into some sort of “experimental multi-genre” spinoff that falls flat most of the time. This band is ready to be loud, fun, and always makes sure there’s room for a shredding guitar solo.

“Hush” is not designed to be your next overly-versatile daring take on rock, they just keep it real. Good riffs, fun live show, a swell Martha Davis style vocal approach, and something that easily sticks in your head. It’s not aimed to change the game, it’s aimed at making it better altogether. Because when it comes to Rock nowadays, some bands and artists tend to insult the genre by over analyzing their mixes and using far too many EDM or electronically integrated plugins for their final touch. But in my opinion Damson Blaze doesn’t have time for those kind of fratty antics. This is simply a “plug in and rock out” persona. No BS needed.

I recommend “Hush” based on the formula that has always worked with Rock. And that’s to simply keep it loud, make it catchy, and never forget to leave room for a guitar solo! “Hush” is the title track of their upcoming EP of the same name. We are itching to hear more of it. And after giving this song a listen yourself, you will be as well.

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Album Review: Goodbye Silence – Thoughts In Boxes LP

Review by: Justyn Brodsky


This band is truly a breath of fresh air, and takes me back to a realm where spicey guitar riffs, a punchy rhythm section, and catchy vocal melodies were the key to great songwriting, and strong likability from the first listen. This Oregon based group has just that–those defining factors from the glory days of 90s Rock, Alternative, and elements of everything else you loved about that time period.

Alt/Rockers, Goodbye Silence, with their LP Thoughts In Boxes do exactly what I described above. They put together a collection of dynamically written, riffy, and undeniable catchy tunes that is bound to draw in all ears that come by this record. 

First thing I noticed whenever a new song started was how amazingly crafty the band is. You never hear the same track twice. Each one offers up different measures of tempo changes, riff dynamics, and vocal structures that explore a very gifted, charismatic, and nose to the grindstone vocal melodies with witty characteristics to show that this vocalist isn’t messing around. 

Album opener “Like An Ocean” starts things out great with great guitar tones that really bring out the energy in the vocal melodies, while the pounding rhythm section ties everything together. And this rhythm section has one powerful thing going for them that makes their role in the band most crucial–precision. The smooth bass lines and hard hitting drum chops really solidify this band’s energy and it’s made apparent from the very beginning.

Moving onto title track “Thoughts In Boxes”, we have an excellent ambient guitar picking riff that parallels drumstick rim shots. A fun intro that leads into a powerful yet familiar guitar progression that not only works, but has a great vocal melody to put differentiation to any other song that may use this progression. And it gets more powerful as it cruises on. Most amazing part is this song sounds almost nothing like its predecessing track, but you can tell it’s still coming from the same band.

Onto my personal favorite, “Long Gone”. This song to me has it all. Insatiable song structure, the best vocal usage thus far (both melody and lyrics), and has that feel of a hit song straight from the 90s, but also sustains staying power by integrating today’s rock sensibility. This song is very guitar-driven, and the vocal melodies are as memorable as they can get. This one takes first prize to me in every way.

Throughout this album, you hear influences from some of your favorite rockers from yesterday and today. I hear a lot of Chris Cornell-ish vocal melodies and range, but still very much original and raw with lovable charisma. You hear a lot of Red Hot Chili Peppers influence in some of the riffs, but strictly just as an influence, because these riffs offer up something new and dynamic in every track. 
In Thoughts In Boxes, one thing that makes this album the gem that it is: there’s something for everyone. And like stated before, you get something new in every track. There’s nothing repetitive, everything is tight and precise, and this is definitely an album you can blast in your car quite often. It definitely belongs on your shelf of favorites. And one last thing…how genuine this band is. No post-production theatrics, no EDM-doused “experimentation” or pretentious nonsense; just a terrific Rock album you’ll be more than stoked you discovered. This band keeps it totally real, and that’s one of the best characteristics they portray. I couldn’t praise this album enough.

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