Exclusive Review: Pia Salvia – “Dark Longing” Single

Review by: Justyn W. Brodsky

Cover Art of Pia Salvia’s Single “Dark Longing”

Dynamic, atmospheric and versatile might be a few ways to describe the many facets of Pia Salvia‘s musical talent. But in the grand scheme, her stylization and signature sound has endless musicianship factors. And her fresh, hypnotic new single “Dark Longing” is a perfect demonstration of how effective her craft is when it’s brought out to the forefront. Salvia, raised in Belgium and now living in New York, began hitting the ground running in the music realm at the age of six; eventually becoming classically trained for the next 10 years. And some time later would also discover her love and passion for the harp and vocals. Since mastering her craft, Salvia has been composing, arranging and performing her own original material in a vast array of settings and styles of music. She even landed in the top 20 on the world renowned show The Voice (France) in 2012.

Now, with the release of her anthemic single “Dark Longing,” the track has been acquiring some major critical acclaim and recognition among the music world. This single, which is also featured on her album ‘Blissful Sigh,’ which released today, is an atmospheric and ambient song with beautiful harp swells and progressions, classical layers of Pop, Blues and Jazz, and shares reminiscent qualities similar to the likings of Regina Spektor, Dianna Krall and Nora Jones. Her vocal approach is unwaveringly effective and encapsulates an array of styles from spoken word and Hip Hop elements to mid-to-high range melodies that truly make her a standout with all things combined. Her poetic lyrics are also beautifully projected with a story telling method that can easily resonate with any listener. The production value is right where it needs to be and never outdoes itself with post production antics. It’s a song that is authentic, raw and performed with strong precision and method. Salvia‘s lyrics on this track are thought-provoking, poetic and really showcase a crucial angle to her principal songwriting structures.

Cover Art of Pia Salvia’s album “Blissful Sigh” – Out Today July 10th

Her album ‘Blissful Sigh’ just hit the market today and is currently available on Apple Music, Spotify and several other digital music streaming platforms. This is definitely one of the most notable artists so far in 2020 and we highly recommend checking out her single and the full album as well.


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Exclusive Review: The Sullivan Sees – “Strange Times” Single

Review by: Justyn W. Brodsky

Cover Art for The Sullivan Sees newest single “Strange Times”

Hailing from the landscapes of London, The Sullivan Sees, led by songwriter/musician Mick Cooper, gives us a glimpse and snapshot of lockdown that pays tribute to the every day saviors with the new single “Strange Times”. An eclectic and collaborative song that showcases both the artistic merit of musicianship, and the distinctive message that parallels with it.

Alongside Cooper, at the helm of lead vocals, he is joined by a robust cast of feature artists at the top of their game on this track that includes Dan Harriss on piano, Mattias on guitar, Josue on trumpet, Jason Meekins on drums, rapper Mic, and a debut performance by Ann on backup vocals. The chemistry between these musicians is not just noticeable, but crucial as well, as you can hear a showcasing of each member’s craft throughout the song’s duration. With Cooper’s hauntingly mysterious low-to-mid ranged lead vocals, this song encapsulates an effectively ambient story telling technique that gets your attention from the beginning. The song itself has a clean mix between a lighter 90s-influenced indie rock sensibility with hints of jazz and a versatile vibe that touches on several other genre textures and moods. Cooper presents the song with subtlety and his passion is definitely apparent with both his performance and content.

Feature artist Ann’s vocal appearance is quite a treat. Her impressively high range with tour de force harmonies really adds a flavor twist to this track that really enhances the overall execution of the performance value, which compliments Cooper’s vocals diligently. And rapper Mic delivers some bars and hooks during the song’s bridge and breakdown that really adds to this track’s versatility. He’s unexpected, but certainly not out of place. Meanwhile the guitar work towards this part of the song has a true visceral feel with structured melodic swells, bluesy riffage and overall precision that really solidifies Mattias’s craft on this track that lends more elements to this song’s eclectic tone that makes it a standout of its kind.

“Strange Times” is also a great contribution effort, where all revenues from this song are going to NHS charities. The song is available now on Apple Music, ITunes, Spotify, and other digital music streaming platforms. You’ll definitely be adding this one to your playlist.


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Exclusive Review: Andrew Farstar – “Classics” Album/LP

Review by: Justyn W. Brodsky

Cover Art for Andrew Farstar’s “Classics” LP

This album of classics, just like the album name ‘Classics’ suggests, is a nostalgic treat from the way-back-when machine that features a vast array of songs from renowned artists that we’ve come to know and love over many years. With the voice of Sydney-based artist Andrew Farstar at the helm of this record, tackling these beloved anthems with a modern and youthful approach that gives us a whole new perspective on these high profile covers, ‘Classics’ is not just a run-of-the-mill tribute or half hearted renditions, it’s a visceral reimagination.

Featuring chart-topping hit songs on the record that includes classics like “Your Song” (Elton John), “I Don’t Wanna Lose Your Love” (Crystal Gayle), “Sealed With a Kiss” (Brian Hyland), and many more, Andrew Farstar breathes new life into these songs with a modern millennial signature sound that brings out a whole new world to songs that have been loved for decades by a widespread of fans from many different generations. His versatile and multifaceted mid-to-high range vocals are precise and punctual as they are charming as well. He also brings these tracks out in a way that could resonate with younger generations, who will find an entirely new perspective and appreciation for songs older generations may or may not know…but most likely definitely do.

The musicianship factors and production value parallels perfectly with both performance and structure. A lot of the tracks have a distinctive sound that could be reminiscent of artist pioneers like Tony Bennet, Frank Sinatra, Michael Bublé, James Arthur, Harry Connick Jr., and those of a similar caliber. But, when it comes to the overall execution, Andrew finds a way to truly make these songs his own reimagining in a way that gets us to appreciate these classic tunes in a whole new spectrum. Basically, if the renowned artists that wrote these songs took a listen to Andrew‘s versions, they’d be definitely mind blown at the brilliant balance between the insatiable feeling of originality and familiarity he brings to these songs. It’s an album of nostalgia, skilled musicianship, and a demonstration of making something completely your own when it comes to artistic merit.

You’ll love every rendition of these songs that Andrew has put together and will remind you that these songs still can have a major relevance in your life. You’ll love ‘Classics’ from beginning to end, unconditionally. You’ll be glad we recommended this to you. You’re welcome.


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Cymber Lily Quinn – “Band Of Angels”

Review by: Justyn W. Brodsky

Hailing from the landscapes of Colorado, Cymber Lily Queen has been a standout of her caliber as a professional award-winning harpist and composer, specializing in background music and house concerts in a vast array of different settings and moods. Her music is versatile and infuses a nature-based articulation that encourages conversation and connection. And her track “Band Of Angels” is a brilliant demonstration of this.

With tightly-knit harp swells and diligently placed melodies in the forefront, Cymber Lily Queen really entices our ears to embrace atmosphere and ambience. Her emotional melodies bring us to a place of comfort and relaxation, meanwhile comprises a realm where our thoughts are in safe keeping and our hearts can stay warm. It’s a song that becomes the soundtrack of your soul and the essence of your aura, bringing to the table a composition that not only embraces you, but stays with you long after it’s over as well. The melodies stay within a safe and subtle mid-to-high range key signature that leaves room for expression, rhythm and lead parts for Cymber to showcase her craft with many angles; serving up a dose of her songwriting techniques as well as skills with her harp in its entirety. It’s a perfect song and window into Cymber Lily Queen‘s craft and God given talent, as well as her signature sound and performance style.

If you’re into something smooth, classical, atmospheric and heart-warming, then Cymber Lily Queen will be going on your favorites list in no time. She is a joy to behold.

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Artist Review: Chuck W – “Get Your Shit Together!” LP

Review by: Justyn W. Brodsky

With an exercise in innovation, experimentation and musical stimulation, Long Island’s Chuck W brings forth 4 years of in-depth puzzle pieces in every track of the frenetic, lo-fi synth-travel signature sound of his Get Your Shit Together! LP. An album that not only grabs you with persistent musicality, but imagery as well.

This instrumental album is comprised with a vast array of musical elements that range from clever looping samples, atmospheric textures, groovy tempos and jazz-infused outbursts that top off with a theatrical and at-times industrial edge. The track “Monoarm” is a grungy and multifaceted set of layers that sends us on an audio and visual journey. The ambient mood that underlies in this frantic track really demonstrates Chuck‘s dynamic behind the mixing board, as well as his songwriting structure that touches on many tangible elements that gives this song the push that it needs to enter your brainwaves. It’ll stick with you in a way you can’t really explain, but it’ll easily have you enticed to explore the rest of this album with your antennas for detail up. The rhythmic groove on this song is not only notable, but downright necessary. There are no blanks to fill on this track – Chuck covers all bases on “Monoarm” and really delves into detail that gives him undeniable versatility.

Veering over to the soundtrack-worthy “Jazz For A Rainy Day”, this creepy track lends an arm to a more theatrical take on Chuck‘s signature touch. This one gives you visuals and it really dives deep into the clever songwriting structures that is made apparent throughout the album. This keyboard-driven track really adds a fascinating parallel to the other songs on the album and really adds more concept to this multilayered musical journey.

Get Your Shit Together! is a nostalgic landscape of audio imagery that is immediately gratifying to the experimental sides of our brains. It has a wit and charm that speaks solely through instruments, structure and textures. Once you give this a listen, you won’t quite be the same again. But you’ll keep coming back to this album to go through each measure of detail, trying to capture every puzzle piece of the in-depth structure that Chuck W conjures throughout this album’s duration. You can’t go wrong with this album – there’s nothing else like it.

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Listen to “Monoarm”:

Listen to “Jazz For A Rainy Day”:

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