Artist Review: TIGER DRIVE – “Legend” Official Music Video

Review by: Justyn Brodsky

Some bands are just meant to be discovered. This is one of those cases.

With a modernization and stylization that delivers vibe, energy, and a multifaceted chemistry among three brilliant musicians, Rock-tronic power trio TIGER DRIVE hits it out of the park with a cinematic music video for their single “Legend”.

The title advertises this song perfectly. With subtle verses that build up to an electrically explosive chorus, this song does no wrong. We have a charismatic vocal range delivering up lyrical justice both in content and execution; there’s an aura among the trio that gets you to feel TIGER DRIVE‘s energy, authenticity, and visual perception.

The video brings forth a use of color that is something out of Hollywood’s standards. With action, drama, and suspense elements that parallel perfectly with the song’s captivating sequences, “Legend” takes us on a front row edge-of-your-seat cinematic ride.

The catchiness of this track is unwavering – each member feeds off the song’s anticipating structures and really kicks things into high gear when the chorus comes around. When watching the video, each member really shows their true artistic merit in its full package and brings you something that combines originality and familiarity with their dynamic sound.

This song is an all-or-nothing kind of single – where if TIGER DRIVE is gonna deliver music, they’re gonna do it holding nothing back. This song is it, their time is now. And this is definitely the song that will get you relentlessly hooked on this band.

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Album Review: Sim Ross – “Mother’s Day Blues” LP

Review by: Justyn Brodsky

It’s rare nowadays that you run into one of those albums where you don’t have to skip over one track. This is exactly the case with the multifaceted and passion-driven “Mother’s Day Blues” album from Sim Ross.

Hailing from the elite Austin music scene in Texas, Sim Ross blends a dynamic signature sound that is comprised of roots-rock and Americana with edgier components and presented with limitless musicianship factors and production value. This is one of those clear and concise albums that you know you’ll love from the very first track.

One of Sim‘s notable singles, “Sweetness”, is a perfect example of how effective the likability factors from this album really is, and how it resonates with a great play on creating a multi-genre approach that brings out originality and familiarity. Taking some of the best components from his musical influences that range from Bruce Springsteen, Tom Petty, and The Black Crowes, Sim Ross‘s edgy vocal tones, innovative guitar progressions, and infectiously catchy hooks really brings every component to the forefront of showcasing Sim effectively, and properly. This is one of those songs that is more of an anthem – it doesn’t leave a stone unturned. The songwriting structure and overall presentation of this track delivers up one of the many gems that makes this album shine the way it does.

Taking a look at another angle of Ross, “Avalanche” brings us to a dark and witty aura that showcases the same signature that has been etched into the musical chemistry, but grasps a whole other part of you. With another powerful chorus and charismatic vocal delivery carrying the torch with authentic guitar work and all the right textures, we delve into another captivating track that brings versatility to this album that is indicative of precision and performance value.

This 14-song catalogue definitely gives a nod to an era when track sequence was an art form. It creates a narrative for the listener, and a perspective for the artist that you can identify with. “Mother’s Day Blues” is one of those albums you’ll keep coming back to time and time again, finding something new each time you play it from beginning to end. With an album this in-depth, creative, and beyond what you’ll anticipate, it definitely makes you eager to see and hear what Sim Ross puts out next. This is the type of artist you truly invest yourself into.

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Artist Review: Bad Marriage – “Old School Stereo” Official Music Video

Review by: Justyn Brodsky

Grab 5 of the best musicians you personally know with similar artist influences, stuff them into one explosive package, and this is the band you get.

A lot of artists have tried to “bring back” the hair band era. Most have failed at it, and some comically pushed themselves to notoriety with it (ie: The Darkness, Ugly Kid Joe, Green Jelly).

Then there’s Boston’s Bad Marriage. A band I truly believe has re-captured what other bands have tried their damndest to capture, but at the same time have put their own spin on the era. And their song “Old School Stereo”, accompanied by a cinematic music video, tackles this concept perfectly.

A band that’s only been around since 2016, these guys have it all – down to the image, style, talent, but best of all – songwriting ability. The chemistry and cog of the machine is comprised of riffy guitar tones and chugs, a pounding rhythm section, and a vocal range that fits this genre like a glove. And although Bad Marriage just by their photographs seem to be a band just lusting for the 80s, they are so much more than that. And it’s this particular song and music video that emphasizes exactly what they’ve managed to bring to the table.

Bringing all the elements from the late 70s and 80s we’ve come to know and love, “Old School Stereo” brings forth a concept that shows us that a band can still execute an old school genre in today’s mainstream sensibility. The video is straight-forward with girls, cinematography, a charismatic and energetic show experience, and a song & video that is produced in a way that showcases Bad Marriage most effectively. Everything from the dangerously catchy chorus, gang-style harmonies, and the overall aura that has made rock & roll what it is today.

And we are definitely not the first ones to take notice of the gem that this band really is. They’ve opened for a vast array of legendary acts, including Buckcherry, Eddie Money, Extreme, Dokken, the Michael Schenker Fest, John5, LA Guns, and many more.

I could seriously go on all day about how fucking awesome this band is, but I think it’d be a better idea to just take our word for it now and go watch/listen to “Old School Stereo” and let Bad Marriage speak for themselves. You’ll be glad we sent you there.

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Artist Review: Bygone Civility – “Circling Again” Single

Review by: Justyn Brodsky & James Henes

Infectiously catchy, top-notch musicianship, and limitless production value might be a few ways to describe Bygone Civility‘s single “Circling Again”, but we think it all combines perfectly as a way to portray this gem through the collective musician & listener’s ear.

This song really emphasizes on a lot of key factors — dynamic songwriting, quality lyrics, and versatility. This track is definitely indicative of musician’s that really have a chemistry when it comes to composition and production, because this song has endless likability factors.

Elements of the early-mid 2000s are present while we can still hear some of the iconic music we grew up listening to in the 90s era. The vocals are on point with the effective and charismatic-yet-subtle delivery, but keeps the perfect balance and composure that keeps its aura relevant, elegant, and out in the forefront appropriately.

“Circling Again” is definitely a brilliant demonstration of the members behind Bygone Civility. You can hear depth and substance contributed from each instrument and additive that is brought out authentically, and production-wise. They sustain a very natural sound and don’t marry themselves to a particular type of formula; you just hear a cast of dynamic musicians that are innovative, creative, and multifaceted with a signature sound and stylization that almost anyone can appreciate.

“Circling Again” will definitely entice you to look into more of what Bygone Civility has to offer. And we suggest you do just that. You will not be disappointed.

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Artist Review: Phoenix O’Neill – “Out Of The Ashes” EP

Review by: Justyn Brodsky

If talent and opportunity ever came knocking, it pretty much beat down the doors for 23-year old British Singer, Phoenix O’Neill.

And she has pretty much hit the ground running since her captivating voice and intricate, dark songs found its way to renowned producers James Sanger (Dido, Keane, Siobhan Donaghy, Brian Eno) and Paul Kilmister (son of legendary late Motörhead frontman, Lemmy Kilmister), who teamed up to form SangMister Music, who have contributed heavily to O’Neill‘s haunting and hypnotic signature sound from her upcoming EP Out Of The Ashes.

O’Neill‘s spellbinding vocals have been compared to Amy Winehouse, Elle King, and a touch of Björk, with eerie melodies similar to Massive Attack and Portishead. But we also hear a ton of new school sensibilities from other icons such as Lorde, Becky Hill, and Lana Del Rey — really giving Phoenix the balance and composure that makes her stand out most effectively, and unforgettably.

Her single from the EP, “I Need You”, brings out these many components stemming from her gifted vocal range and texture, artist inspiration & development, and a powerhouse Production team all honing their craft together beautifully — delivering us a sound that is familiar yet dynamically fresh. As soon as this track starts, you’re immediately hooked into Phoenix and her vocal aura; there’s no way around it. You will easily wonder how this artist isn’t already blown up to super stardom. But that’s why we, at Artist Reach, are privileged and honored to be one of the first music platforms to get a listen of Phoenix O’Neill‘s upcoming record that’s going to captivate every set of ears it encounters with.

“I Need You” is also accompanied by a very cinematic official Music Video that gives you a visual element that really parallels with the chemistry of the song. It’s an Audio and visual imagery that’ll really bring you to a front-row-edge-of-your-seat experience, and also really showcases Phoenix in a way that makes her most compelling, and eye catching when it comes to her overall look, style, and performance.

It’s rare that a gem shining this bright comes along with not only a versatility of talent, but also with the right people backing it as well. Hailing from the UK, from there to the rest of the world, open your eyes and your ears and give a huge welcome to Phoenix O’Neill. She will not let you down.

“Out Of The Ashes” releases on April 30th.

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Artist Review: Empire Of The Ants

Review by: Justyn Brodsky & Mark Sullivan

An audio and visual realm of ambience, texture, and a familiar versatile stylization.

With many years under their belts as songwriting musicians from the UK cityscapes of West London, dynamic studio-duo Empire of the Ants bring us a fresh take on stylized Electronic Rock with 90s-era Grunge and Industrial influences that are among some of the best we’ve come to know.

Their music video for “Radar” is a solid first impression of the band. With a low to mid vocal range in the forefront, this ambient and subtle track really explores a progressive edge that shows comparisons to pioneer artists such as The Cure, Muse, and David Bowie. With a driving rotund low end and attention-grabbing vocal content, this listening experience parallels perfectly with the visual experience perfectly, and really shows you a style and image that is not only fresh-faced, but pays homage to some of the best music eras we’ve come to know and love over decades.

Their second video “Sirens” brings a more upbeat side to the duo with great cinematic elements with stunning use of color. This grunge/industrial crossover sustains an energetic flow but still brings out the same ambience that really gives Empire of the Ants the signature sound that solidifies their artistic merit and persona.

Their third video, “Utopia”, is another stroke of visual gratification with excellent blends of black & white cinematography. The song is very climactic and utilizes significant structures that deliver a buildup that makes this song an effectively compelling measure-for-measure and frame-by-frame experience. This one definitely looks and feels like the heart of their sound, and showcases their originality the strongest.

All 3 of these music videos are very much worth the watch & listen. If you’re into the classic 80s/90s Rock/Industrial era with magnetic framework and production value of today’s modernization, then Empire of the Ants will be added to your list of discoveries you wished you discovered much earlier.

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Artist Review: Cat Beach – “Go to Work” Single

Review by: Justyn Brodsky

Another astonishing and compelling reason that the Nashville music scene never disappoints.

That reason comes in the form of the charismatic and artistically articulate recording artist Cat Beach. A pioneer of the city’s renowned music scene with all the right ingredients to showcase some of today’s finer modernized Country & Blues.

Her hot single “Go to Work” is a perfect demonstration of how these ingredients are mixed with Cat Beach‘s very impressive mid-vocal range and groovy production value. While this song lyrically could be the polar opposite of the acclaimed “Take This Job and Shove It!”, we still get to grasp the same catchiness in a whole new way; except this time, you go to your job rather than quitting it on bad terms.

It’s only a lyrical reference however. The song itself is a very enchanting danceable experience with great backup vocals to compliment Cat Beach‘s fun, witty vocal style and bluesy riffs that drive this song forward. It starts out with a bang and cruises with a modernized take on classic Blues progressions that many famous songs utilize, but has a whole different kind of originality and versatility that emanates from every measure. Its message is conveyed beautifully and makes this song very addictive and quite the fun listen.

“Go to Work” has that staying power that will keep you coming back to this song again and again, as well as entice you to check out more of Cat Beach‘s catalogue. If you dig a catchy tune with a big band experience, then this song is definitely for you; and will give you another reason to absolutely adore the Nashville scene.

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