Artist Review: Circle The City – “Home” Single

Review by: Justyn Brodsky

With a dynamically Alt/Indie-Rock infused sound with a knack for subtle sweetness and multifaceted writing techniques, Canadian quartet Circle The City really puts a naturally boasted change to the game with their current buzzing single, “Home”.

Based out of Sarnia, Ontario and comprised of a powerhouse lineup featuring Riley Thompson (Vocals/Rhythm Guitar), Harold Collins (Guitar), Nathan Yeadon (Bass Guitar)), and Jesse Mootrey (Drums/Percussion), these four versatile musicians brilliantly delve into a chemistry that really shines through their flavorful, catchy signature sound and songwriting structures that touches on equal parts originality and familiarity; giving their audience a taste of something fresh yet still identifiable.

With a cleverly executed mix of sultry Jazz vocals, melodically thorough guitar compositions, funky jazz breakdowns and a pounding rhythm section that is tightly crafted, Circle The City is anything but the next ordinary run-of-the-mill band you’ve heard far too often. This female fronted group has a balance and composure that really sustains a foundation that’ll grow on you from the very first listen.

Their single “Home” is a perfect demonstration of this. The song has a Jazzy vibe that is seductive, engaging, and really visceral with an aura that showcases their style in a way that is not only effective, but very memorable as well. It’s the type of song you’ll keep coming back to time and time again, and find new ways of appreciating it. It’ll also entice you to also check out their discography of prior releases, as well as their future prospects. The band delivers up a sound that’ll capture your undivided attention, and stay with you.

And that’s another notable fact about “Home” – their staying power. The ability to stay with you even after the song is over. Similar to movies that are not only re-watchable, but also gets better every time. And that’s one of the defining factors of the power that this single gives off. Another key element for this track is the natural production value. There are no post-production theatrics or noisy plugins that take away from their naturally gifted sound, and really shines the spotlight on each band member’s ability. You get to hear true chemistry from the band as a whole as each measure comes together beautifully with a writing style that really resonates with a brilliant original take on the Alt/Indie and Rock influenced genres. Once you take a listen to “Home” yourself, you’ll see (and hear) exactly why Circle the City is an absolute standout of their caliber. The single is currently available on several digital music retailers and streaming platforms. You’ll be more than glad we sent you in their direction.

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Artist Review: Jonah Melvon – “RainWater Project” LP

Review by: Justyn W. Brodsky

Some music knows exactly how to touch the soul. With ambient vocal melodies, passionate rhythms and multifaceted male/female hooks, Jonah Melvon delivers up an innovative and soulful R&B album of anthems with that classic sound with brilliant textures of Jazz, Hip Hop and everything in between with every track on his newest LP RainWater Project.

Delving into a spectrum of a glistening R&B signature sound that perfectly resonates from the classics we’ve all come to know and love combined with today’s modern sensibility, RainWater Project is a triumphant album of tracks that really offer up an artist’s true passion in both performance value, as well as the strong messages in the content. This record awakens the entrepreneur spirit within all of us with his song “1099 (Mom And Pops)” from the album. A piano-infused, bluesy laid back tune that really nurtures the Soul from both Jonah‘s vocals, as well as the female feature artist. The song’s bossa-nova and rhythmic tempo really carries the mood of the track with each verse standing its own ground with the narratives and melodies paralleling each other perfectly. Then landing us into a chorus that’ll have you singing this one in your head well after it’s over.

The album also plants the spotlight on areas like gentrification, and an inhuman presidency crafted from his anthemic track “What’s Good for You“. A song that is powerful in its delivery and versatile in its overall edge. This track, with just as much swagger, puts another modern bluesy touch on this finely tuned single that brings out a brilliant execution from all angles. The message is powerful and the Hip Hop-additive makes this track very effective and gives it the perfect touches. It’s a song that really explores the true core of Jonah‘s talent and vocal approach. From songwriting technique to the song’s nostalgic pacing, this song will definitely win you over and will have you exploring the rest of this album more closely.

The biggest standout about RainWater Project is the authenticity and originality. A dynamic blend of tracks that mix the best of yesterday’s R&B approach and today’s innovative production value in all the right places. That, along with the multi-genre additives and several tasty flavors from each track will make this album one of your favorite Soul/R&B records you’ve heard this year so far. It’s an album with staying power, the power to stay with you well after it’s over. It’s also the type of record that will have you diving further into Jonah Melvon‘s catalogue as well as future prospects. RainWater Project is gonna give him a very promising year, and if this review is what lead you to his discovery, you’ll be thanking us later.

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Artist Review: No-EL Dacosta – “The Soul Man From The Endz” LP

FrReview by: Justyn W. Brodsky & Bethany A. Stephenson

A truly modern triumph, and a realm of R&B the way it was meant to be is what No-EL Dacosta‘s The Soul Man From The Endz stands up to be, and represents as a whole. An album of tunes that are soulful, versatile, multifaceted, and a realistic caressing of the heart of real R&B music.

But Dacosta‘s album is a lot more than that. This collection of uplifting anthems have additives of Blues, Bossa Nova, Jazz, Jams, Hip Hop and everything in between. From swinging mid-ranged vocal tracks to clear and concise production value, these songs share all kinds of moods. There are blissful feature artists that bring in soothing vocal textures, beautifully crafted guitar and piano compositions. Best of all, each song breathes its own life into each song. You never hear the same thing twice and every track has a new set of features that conjures these songs more into anthems, rather than just songs on an album.

No-EL‘s album is a masterpiece of R&B in its own right, and rightly so. His vocal approach is perfect for the genre and has really put a modern edge to every song on this album. You’ll absolutely love it, and puts R&B into a new modern world that gives it a whole new sound for generations to come.

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Press Release: Carolee Rainey Releases Her New Single “Sacrifice”

Article by: Justyn W. Brodsky

We at Artist Reach have a great suggestion. Stop doing what you’re doing and go listen to Carolee Rainey’s new single, ‘Sacrifice.’ 

This may sound strange, but the first time we heard  ‘Sacrifice’, we felt like she may have been talking right to us. But Wait. Hold that thought. On the second listen, we’re certain she may be talking not only to us but through us. She has literally brought me back to a time in our lives before real responsibility kicked in…when life was carefree and wild.  Oh yeah. Its funny. A dear friend of ours who has met Rainey said she got the idea to write ‘Sacrifice’ after reading an article about a manager that worked closely with Stevie Nicks in her early career and mentions in the interview how much he enjoyed working with Stevie, but it had been a long time since they had been in touch and how wonderful it would be to just randomly run into her again somewhere. 

This was the very article that inspired Rainey’s ‘Sacrifice.’ This is Rainey’s third single out on her new label ‘Sapphire.’  The other two singles, ‘Deeper Than The Ocean’ and ‘You Matter’ invoked the beginning sparks of a brilliant new songwriter artist on the horizon.  We’re talking superstars like Tracy Chapman, Tori Amos, Lana del Rey, and Ed Sheeran. 

Add Carolee Rainey to the list. ‘Sapphire’ is proud to have Carolee on the label and is thrilled to promote a platform in which this unusual and soulful artist can now be heard by the world. Get ready.

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Artist Review: (dIG) dEM iSBY gIRLS – “School Days”

Review by: Justyn Brodsky

Glistening vocals, ambient beat structures, and a futuristic hypnotic vibe that combines the best of yesterday’s and today’s R&B is what makes dEM iSBY gIRLS (aka dIG) a gem within their own right with their freshest single “School Days”.

The voices are subtle, magnetic, and brings you to a realm of a laid-back feel that really encompasses a sound that is very visceral, ethereal, and multifaceted. Their versatile approach in “School Days” is not your every day track; it resonates with a style that touches on originality and familiarity, giving their audience a taste of something new yet still identifiable. The vocal personas also touch on different factors, landscapes, and really give each vocal component a life of its own, which is what makes dIG a group that lives up to their name. You will dig them, and really find your listener’s niche with their hypnotic style of singing.

Another part of this song is the likability factors – the sing doesn’t carry on too long, has great runtime in its duration, and is a track you can come back to time and time again. It has that staying power – the power to really stay with you even after the song is over. Regardless, you will find unconditional love for this song; and keep you in anticipation of what dIG comes out with next. They won’t disappoint.

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Artist Review: Spursy – “Neon” Single

Review by: Justyn W. Brodsky

Some of today’s artists really know how to put a true edge to the reminiscence of yesterday’s 80s iconic sound without succumbing to plagiarism techniques or obvious direct similarities to the music of any era, but executed more in a way where the artist’s homage to the era is more reinvented or reimagined in their own way and brought out in a mainstream realm of quality. And this is exactly the type of feat Spursy brings to the table with his signature sound from his single “Neon”.

This track definitely has a glow from the very beginning of the track, and never wavers from the concept’s funky riffs, tight knit rhythm section and Duran Duran style vocals – however all executed in a way that is compellingly original. The vocal range and lyrical outbursts of Spursy is completely versatile, multifaceted, and never wavers from its authenticity, balance and composure.

Each verse is doused with that 70s/80s synthy sound we’ve all come to know, love, and miss dearly. So it’s a refreshing and tasteful feel throughout the vocal combination. And once all of this takes place, the song’s structure melts us with an insatiably earth halting chorus that truly ties it all together to make “Neon” light up the room, your earphones, and everything in between that puts this song in the forefront of your listening experience. You truly can not go wrong with this song.

From the old school songwriting sensibilities to today’s mainstream production quality – it just doesn’t get any better than this.

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Artist Review: Sassy Vee – “I Should Go” & “Emotional” Singles

Review by: Justyn Brodsky

A gem like Sassy Vee is a girl with a vision and a girl with a vibe. She’s an absolute trifecta in the bigger picture altogether – she has class, beauty, and insatiable talent that is passionately utilized in her own signature style of music that is compellingly catchy, lyrically visceral and atmospherically ambient. And she showcases these very crucial components in her anchor singles “I Should Go” and “Emotional”. Two tracks with different eclectic approaches, but diligently executed by Sassy herself no matter what elements each song presents itself with. These are two very versatile tracks that truly bring you into the musical realm that Sassy delivers to the forefront; and never wavers from her flavorful sound she carries with her throughout every song that leaves you refreshed and aching to hear more.

“I Should Go” is a great mid-pacing yet subtle song that serves up as a flavorful modern treat into today’s Pop sensibility with Indie elements. From lyrically visceral and eased-up verses that beautifully showcase Sassy‘s voice as more of a clever and delicate buildup, the verses really caress her vocal textures and tenderness that really shows her authenticity. It’s the perfect buildup of soft-sung narratives before the powerful chorus jumps in to tie the song together with Sassy‘s wholesome vocal dubs and mid-to-high range melodies. She truly grasps onto the song’s aura and key signature to write and perform the perfect balance and composure for this track, and really puts her strengths right out to the forefront. She clearly has a knack for writing vocal parts that are not only catchy, but compelling as well, and really puts forth a style that touches on equal parts originality and familiarity, giving her audience a taste of something fresh yet still identifiable.

Her second single “Emotional” is more R&B-infused and reminiscent of the classic Motown Records era with tasteful mixtures of today’s more authentic and eclectic Soul inspired artists that perform R&B the way it was meant to be. The track is more charismatic, fun, and shows a different angle to Sassy‘s lyrical techniques and artistic merit. It’s a track that any R$B listener can appreciate, including previous generations that witnessed the manifestation of the genre, and the components that came with it. “Emotional” is also a song that truly sings from, and speaks to the soul. It resonates with the truly passionate music fan that wants to delve into an artist’s true core, to see and hear who they really are as a songwriter. All the while relating to the song in a whole, and finding out how they can identify with it.

Overall, Sassy‘s singles are triumphant, meaningful and really bring out different angles of her talent and songwriter. She’s a rare gem among many artists of her caliber, and has a very promising prospect of what 2019 has in store for her, as well as beyond. By the sounds of it – Sassy Vee is not going anywhere, anytime soon. It’s artists like her that today’s music really yearns for.

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