Artist Review: Natasha Jane Julian – “Now I Know” Single/EP

Review by: Justyn Brodsky


When it comes to turning heads and capturing the ears, renowned Pop recording artist Natasha Jane Julian does exactly just that with her recent EP Now I Know.

Natasha, from a small mountain town in Southern California, gained a lot of her on-stage experience as a showgirl, performing relentlessly in theatres and dance shows. When Natasha moved her stomping grounds to the landscapes of Florida, her experience in music hit the ground running when she joined forces with an eclectic band called Psychedelic Mist. 

A handful of shows and an EP later as a band, Natasha decided to spread her wings of versatility and began to find her vision as a solo artist by the time 2015 came around, and respectively departed from Psychedelic Mist. 

This is when Natasha began her Artist Development process, and decided to take time off gracing the stage to hone her craft, find her sound, her musical niche, her inspirations as well as aspirations, and even learned piano during this time, which took place around 2016, and even added learning some guitar during the process; refusing to leave a stone unturned. 

After some years of blossoming into a solo artist, Natasha Jane Julian released her debut EP in June 2016, Now I Know. The first single from this freshman-effort was her Rock-influenced track “Gemini Twin”. The EP received positive reception, critical acclaim, and eventually prompted Natasha to make her rounds throughout the cityscapes; she currently has an elite team of musicians now gigging her original songs all over the US, UK, and more.

But the one that really stands out is her EP-title track, “Now I Know”. A song that’s tight, well-put-together, and charismatic. Natasha‘s mid to high singing approach breathes life into this song and really parallels the musicianship, as well as structures. It screams with melody as well and fits every piece of the song like puzzle pieces. So I have to really tip my hat to Natasha Jane Julian. Her musical acclaim and path is very promising.

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Artist Review: Suburban Vermin

Review by: Justyn Brodsky & Dave Welsh


An energetic old-school stylized punk rock trio from Seattle with chicks filling the guitar and drum roles? Sign me up.

Just like Dead Kennedys before them, this punk trio has the ability to draw you in just with their controversial band name alone: Suburban Vermin. Witty, clever, and eye-brow raising, the curiosity to hear them just becomes morbid.

So after doing just that, I couldn’t help but admire this band’s instant-classic sound that leaves you relieved that bands like Suburban Vermin still exist. A band that is 100% authentic, and keeping the music that Seattle is known for alive and well. Their sound is a plug-in-and-just-fucking-play kind of approach without the need of any kind of synthesized theatrics; straying far from mainstream antics. 

And that’s what punk has always been about, and for a band in this era to still stick with that same formula along with the values that corroborate it makes Suburban Vermin a band that deserves undivided attention from all true punk/Seattle-scene fans out there that still remember that the scene where this band comes from was, and always will be, iconic. And Suburban Vermin belongs in that collection of bands that have contributed to the genre and music scene as some of the most influential.

The production value is a perfect showcase of their authentic and traditional persona as a band, and the male and female vocal leads compliment their sound beautifully and add a very charismatic and signature style that also gives them a lot of room for versatility as well. Basically, if you’re a fan of the Seattle scene’s most influential bands (both mainstream and underground), then Suburban Vermin is a band you’ll be adding to your list of favorites. They’re a rare gem, and a breath of fresh air that true punk rock is still alive. It’s bands like them that keep it not only alive, but going strong as well.

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