Artist Review: Kevin Borland – “Talking To Dead People” Album

Orlando, Florida’s Kevin Borland started making his impact in the music world with his 2016 debut album ‘Harbor City Meltdown’, a record that handsomely boasts his artistically progressive pop/alternative rock signature sound with a stylization that is original and dynamic. Tackling the realm of music with many successful releases under his belt over many years, Borland has a true knack and passion for being a composer/solo artist with several crucial influences from industry heavyweights like David Bowie, Peter Gabriel, as well as guitar pioneer Steve Vai.

Consistently putting out an array of notable releases since his debut in 2016, Borland has manifested into a thriving and rising solo artist, upping the ante with every record in terms of catchiness, coherence, creativity and originality. And this is heavily apparent with his newest album ‘Talking To Dead People’, a 15-track juggernaut that brings Borland’s colorful musical landscapes into to the forefront with cohesively catchy guitar riffs, progressive keyboard measures and melody-driven vocals fused together with well thought out lyrical themes. The track “Spoon Without a Fork” is a good example of this. With an unwavering groove from start to finish at the helm of this song, this track’s bass lines really tighten up the rhythm section in a way that drives the song in a dynamic direction alongside the story-telling narrative of Borland’s vocals. Topping the flavors off with prog/rock-style single-picking guitar riffs, this song is a standout of the album with its innovative verses and dangerously catchy chorus alongside all of the layers this song peels back as it plays out. If this is your first time hearing Kevin Borland, then this song will leave you with an insatiably unforgettable impression.

Another notable track on this record is the synth-driven “Autographed Picture of a Robot Dog”, a more jam band kind of approach with a gritty, bluesy rotund low end carrying an ominous melody that reminds you of the London nightlife. This song is anthemic, atmospheric and continues to demonstrate Borland’s inventive lyrical narratives – giving this song a distinctive edge that is sharp, witty and altogether innovative. Every part of this song is put together very diligently, especially the background vocal layers in the chorus that really give the entirety of this song’s melody an enhancement of compliments and style. It’s a brilliant listen from beginning to end and really solidifies the album’s overall tone.

One other song that really stands out on this record is closing track “No Love in the USA”, a more upbeat track with cruising tempos, diligently paralleled keys and guitars, and a big chorus that encompasses an anthemic arena of catchiness. This crafty closeout song not only wraps the record up with a shiny bow on top, but also entices you to start the record over again and do a deeper dive into Kevin Borland’s discography altogether. One thing this album has especially is multi genre approaches without crossing into absurd genre-mixing territories. It’s not some experimental craziness, it’s a diligently-composed and brilliantly themed collection of songs with crafty thought provoking lyrics that implement artistic outbursts of spoken word measures that really lend to the theming aspects of each song – coherently showcasing a signature sound that’s not only effective, but innovative in its execution as well. The attention to detail is amazing not only in terms of writing, but the performance factor as well. The production value is on point and doesn’t outdo itself in any way throughout the record’s duration. All in all, ‘Talking to Dead People’ is hands down Kevin Borland’s best release effort yet and will definitely hold a high regard upon those giving him a first listen. Those who are just discovering him will especially be impressed and will likely find enticement to go down the rabbit hole of Borland’s past releases, as well as pay close attention to the prospect of future ones as well. This album will not (and does not) disappoint in the slightest. ‘Talking to Dead People’ officially drops in June of this year and will be available across all digital music streaming platforms.


Connect:

•Official Website: https://www.kevinborlandmusic.com/

•Facebook: https://www.facebook.com/KevinBorlandMusic

•YouTube: https://www.youtube.com/channel/UCwqBEbImP6SgSCYUhdMXpfQ


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Exclusive Artist Review: The Harmalators – “Two Great Minds Think Alike” Album

We’ve had The Harmalators duo on our platform before, and they have yet to do disappoint. Since that time, the elite Californi-natives have put together another plethora of colorfully eclectic songs with top notch production value and songwriting technique versatility – some which have landed them in award/charting positions. Comprised of eight amazingly blissful textures and structures that melodically soar throughout the musical landscape, the two brothers in The Harmalators have truly hit it out of the park with their 8-track collective, titled ‘Two Great Minds Think Alike‘, an exercise in innovation, thoroughness, blissfulness and so much more that’ll captivate your musical aura and ambience.

Opening track “Love On Fire” really emphasizes their vocal melody approach, all while keeping that indie feel at the forefront with several facets of different instruments playing their respective roles. Each vocalist really helps enhance the other and you can tell that their togetherness and solidification really puts the melody strength into the writing structure in its entirety. It’s a brilliant intro to the album that will easily entice you to listen to the duration of the record in its entirety.

“Where Would I Be Without You” is a much more simple listen but is undeniably a much more basic structure – and that is held to the highest regard. It’s a shorter song, one that is easily to take in as a classic, and could definitely be heard as an intro to one of those 90s sitcoms (a GOOD one, by the way). Another facet of this track is to find it impossible to get it out of your head. From its title track lyrics, addictive melody structure and just overall charming presence with its well-put-together.

Overall, ‘Two Great Minds Think Alike’ insatiably showcase both brothers’ strongest points in both production and performance value in ways that entice any listener to hear what they’ve put together over the years together and solo-wise as well. They’ve put out a small catalogue of their innovative gems in the past foür😝 its time, but this 8-track collection of highly-produces bliss will definitely turn some heads; especially when an album like this is in the band’s arsenal.

“Two Great Minds Think Alike” have also garnered them some award status. Including…

If this is the first time you’ve heard the first time you’ve heard The Harmalators, then it definitely won’t be the last!


Connect/Listen:

•https://twitter.com/hbarmalators
https://www.facebook.com/harmalators

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Exclusive Artist Review: Isabel & The Whispers – Self Titled Debut Album

NYC-born and bred artist Isabel Marcheselli (formerly known as Isabel Rivera) formed her band in 2005 under the official name Isabel & The Whispers and quickly began manifesting her love for music into a collection of anthemic songs that would become the band’s self titled debut album. Known for her insatiably dynamic craft in several artistic areas including vocals, songwriting and poetry, Isabel has musically crossed a vast array of genres and her eclectic scope of music continues to evolve and defy easy categorization. While she was classically trained, she can easily create music in mass-appealing genres such as Pop, Dance and Indie – utilizing her craft and artistic merit in ways that would ultimately garner the undivided attention of many listeners across the musical landscape.

And in 2008, after a few years of writing and solidifying their signature sound, Isabel & The Whispers would release their self titled debut album comprised of 8 atmospheric and intellectual tracks that would give Mazzy Star’s Hope Sandoval a run for her money. This amazingly crafty collection of tunes provide that aura of catchiness you’d expect from a vocalist with a Pop sensibility, but ultimately wins you over with a soft Indie implementation with a crisp subtlety that will easily captivate any fan of the genre, respectively. Opening track and anchor single “Josefina” is direct evidence of this and it really kicks off the record with a signature style that touches on textures of ambience and atmosphere. The piano lead parallels diligently with Isabel’s hypnotically visceral vocal melodies, giving the listener a listening experience that is both effective and unforgettable upon first listen. It’s an anthemic song that truly sets the tone for the rest of the album and casts a bright spotlight onto Isabel’s ability to not only write an amazing melody, but express them thoroughly through lyrical content as well. Her poetic and story-telling ability really puts her on a level very few artists tend to reach, and it’s quite a joy to behold when you really pay attention to not only what she sings, but how she sings it.

Another notable track on this record is breakup song “High Horse”, a song about a past love with Isabel’s signature story-telling method that has been made apparent from the very first track. Once again we get a beautiful piano lead, this time in a minor key, a smooth rhythm section and a more high-ranged Isabel with this song’s anthemic chorus. Though she tackles common subject matter in this song, she again brings a simple concept to new heights with a poetic presence that really brings the overall story to form in a way that is intelligent and artistically visceral. It’s a rollercoaster of emotions sung with a sense of subtlety that almost makes it a lullaby, but no matter how you interpret it, Isabel just does it well. She completely makes the concept her own. One more notable track is closing song “Dot To Dot”, a song that combines the previous two songs into one intelligently crafted composition. This anthem really closes in on each element both Isabel and her band have brought to the table throughout the album’s duration in a way that ties it all together, perhaps also with a bow on top like a musical gift. We have Isabel at the peak of her vocal melody execution, delivering her blissful and breathy lyrical outbursts that are again enticing and thought provoking. Her band serves up their amazingly rhythmic measures, diligently paralleling her story-telling approach in a way that is effective and almost surreal. By the time you reach the end, you are almost disappointed it is now over. But the best part is, you can start it all over again, and that’s what makes this album stand out – its staying power. Its ability to stay with you even long after it’s over. Something not heard often among today’s more modern releases. And that’s another thing that makes this album a standout, the fact it could easily please music fans from just about any generation or era. Older fans will find it nostalgic, while newer fans will hear its innovation. But the truth is – it’s both.

This is an album you won’t forget anytime soon. You can get your copy now on Spotify, Apple Music, iTunes and any other digital music streaming platform.


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