Neoborn Caveman – “12 Days of Love” Single

Review by: Justyn W. Brodsky

Neoborn Caveman has graced our platform before. And the more we get to know him, the more versatility of his musical stature comes to light. His single “12 Ways of Love” is definitely a rollercoaster ride of one of his many angles of multifaceted goodness that truly shines on a path that bridges the gap between originality and familiarity; giving us even more insight into NC‘s soundscapes and artistic merit.

Utilizing a more electronically infused signature sound, from beginning to end, NC‘s vocals resonate both lyrically and rhythmically parallel. And that’s what makes this song truly unique – we get to indulge into NC‘s vocal abilities in ways that are multilayered with standouts of their own.

The usage of EDM is very anthemic and organized. Everything flows melodically much like his other material, but, “12 Ways of Love” is a modern treat for the ears that brings forth a futuristic sound that is also comprised of many familiar vocal melody structuring. And that’s another facet of this song – structuring. We get genre-bending elements that are surprising but still smoothly transitioned in a way that doesn’t throw the song off. Oh, and the subtlety in NC‘s voice manages to sustain perfectly alongside his musical character. The many elements used to suspend every measure of this song is chosen wisely and crafted carefully. This song has twists and turns, but never strays from its actual foundation that the track starts with. “12 Ways Of love” is one big dose of versatility with its own sense of sweetness, splendor and charm all doused in one electronic package of compelling production value.

“12 Ways of Love” releases August 31st and will be available everywhere including all digital music streaming platforms.


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Exclusive Review: Phillip Foxley – “I’ll Try ‘Till I Die” LP

Review by: Justyn W. Brodsky

Cover Art of Phillip Foxley’s ‘I’ll Try ‘Till I Die’

I never thought I’d see a clean cut man of Phillip Foxley‘s age performing some of my favorite Rock, Punk and Indie styles. His long lengthy 29-track album, ‘I’ll Try ‘Till I Die,’ is an anthemic collection of songs with crunchy guitar, dynamic leads and vocal melodies that tie it all together into one rockin’ package; and it’s anything but a disappointment.

After releasing a vast array of singles, this debut album, though a long journey of a listen, is worth every listen. Opening track “I’ve Forgotten Something Else!” is an explosive and in-your-face catchy track with some of the best guitar progressions and vocal melody combinations that have been put together in this era. Phillip is not just another musician searching for that next groundbreaking sound that has over theatrical antics with post production; it’s good old plug-in-and-play, writing effective songs, and just going for it. His sound is reminiscent of classic 90s/2000s bands like Saves The Day, Ramones and The Suicide Machines. You hear this right off the bat, he’s not after anything innovative or seeking that next big thing, he just wants to write songs that are fun-filled, energetic and catchy enough to draw you in to his flavorful Rock sound.

Now again, there’s 29 tracks to choose from. While they all maintain consistency, each track offers new angles to Phillip‘s talent; adding in feature artists, instrumentals and different tastes of his signature sound and stylization. His piano track “Promises” is beautifully crafted with waves of backup vocals, gorgeous string arrangements and is hauntingly visceral from the very first listen. This album, literally, has something for everyone and offers up an anthemic sound that is comprised of multifaceted textures and versatile measures. It’s just one of many songs that will surprise you, but still fit among the rest of the album’s content.

Phillip Foxley is quite a find, and anyone that can resonate with the late 80s and 90s Rock sound with classic Emo and Indie flavors will absolutely fall head over heals with this record. It’s currently available on several platforms and we can’t stress enough how much we recommend picking this one up.


Connect with Phillip Foxley:

  • Main/Music: https//linktr.ee/phillipfoxley
  • Twitter: https;//www.twitter.com/foxleyinfo
  • Facebook: https;//www.facebook.com/phillipfoxley

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Exclusive Review: Purple Tone Flower – “If I Were” Single

Review by: Justyn Brodsky

Cover Art of Purple Tone Flower’s Single for “If I Were”

With an upbeat swagger and mid-range vocal tones reminiscent of iconic stars like Bob Marley, Anthony Kedis (RHCP) and Lenny Kravitz, the signature sound of Santiago, Chile’s Purple Tone Flower, the solo project of Mauricio Flores Sánchez, is an eclectic and nostalgic treat that really indulges in yesterday and today’s more flavorful grooves and detail-oriented musicianship factors that touch on several influential genres over the years.

His latest single “If I Were” has a straightforward, groovy throwback rhythm section that really showcases the dynamics of precise high-hat/kick drum and bass lines that always fit the role as the foundation of any song (or group). The keyboard swells diligently enhance the soulful vocal melodies and also stride along perfectly with the mid-ranged guitar tones that really bring out that classic Fender sound similar to Natalie Merchant’s “Carnival” style. The production value is also very notable on this track because of its authenticity. No unnecessary electronic enhancement, no vocal trickery, just finely tuned instruments jamming to an eclectic and crafty tune that has dangerous levels of catchiness and one of the grooviest upbeat structures you could ever want in a jammy track.

“If I Were” really comes out swinging and is bound to get any dance floor up and moving. It authentically showcases several multifaceted angles of Purple Tone Flower‘s sound with distinctive additives that not only make the song better, but more memorable as well. As you will find yourself coming back to this track time and time again. The single is currently available on Spotify, Apple Music and several other digital music streaming platforms.


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Exclusive Review: Lorenzo Gabanizza – “All The Words We Never Said” & “No Love At All” singles

Review by: Justyn W. Brodsky

Cover Art for Lorenzo Gabanizza’s anchor singles

A classic, versatile sound is very hard to come by. And when it does, it becomes unforgettable and nostalgic. It becomes a part of you, a part of your music taste and a part of your inspiration to discover amazing underground artists. One of these artists is Lorenzo Gabanizza, a singer/songwriter active since the 80s with an eclectically multifaceted signature style, and an insatiable passion to create. His anchor singles “All The Words We Never Said” and “No Love At All” are very anthemic, powerful and unwaveringly catchy. And they are standouts in every way, equally.

Both of these songs are extremely well put together and beautifully composed. “All The Words We Never Said” is a beautiful buildup of emotions that glistens with tasty acoustic guitar parts and mid-to-high range vocal melodies that give this song endless character traits. The keyboard parts continue this buildup and really ties the song together with Gabanizza‘s stylish vocal vibratos and upper 3rd and 5th harmonies that showcase his singing abilities from several effective angles. This song will simply amaze you, and you’ll definitely be coming back to it time and time again.

“No Love At All” is a stroke of twangy goodness with folky guitar picking techniques and three part harmonies that encompass the aspect of precision. This song has a bossa nova drumbeat with piano parts that add the perfect layers and textures, and you can really hear Gabanizza‘s versatility in his songwriting structures that have excellent balance and composure. Both songs sound very different, but you know it’s coming from the same artist. Both of these tracks will have you researching more of Gabanizza‘s releases, both past and future.

These are amazing songs that touch on levels that are usually unheard of. Gabanizza‘s talent is unquestionable and the facets of detail in each track is out in the forefront, ready for fans from many walks of life. You can find both of these singles on Spotify, Apple Music, and other digital music streaming platforms. Give them a listen and become an instant fan.


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Exclusive Review: Bedroom Ceilings: “Clairvoyance Is Never Simple” Single

Review by: Justyn W. Brodsky


A lot of blood, sweat and tears goes into creating and composing music. The longer you do it, the more you develop a signature sound and niche as a musician. When you combine two musicians that hone their crafts with an aspect of composing their signature sounds into one dynamic unit, you get indie-duo Bedroom Ceilings. With their sophomore album ‘Another Bulb Burned Out’ coming close to its release date, the indie rockers have been teasing their fan base with singles from the record and building an insatiable buzz. Their newest track “Clairvoyance Is Never Simple” is one of them.

Comprised of songwriter/composer Dean Chittenden and multi-instrumentalist Ben Steer, Bedroom Ceilings comes to fruition beautifully with their ambient guitar parts, atmospheric vocal melodies and indie/folk rock approach reminiscent of Copeland, Coldplay, and even the Beatles. With a sound that has great callbacks to the early 2000s classic Emo scene, Bedroom Ceilings also bring fresh new ideas to the table that showcase their artistic merit in ways that really makes them stand out among today’s more convoluted music industry, which is a breath of fresh air.

“Clairvoyance Is Never Simple” is more of an anthem than it is just a song. The track comes together in a way that truly proves how much chemistry this duo has, and how seriously the songwriting aspect is to them. This single has an indie feel that is completely contagious, and you’ll be recommending it to your friends. This track will make you an instant Bedroom Ceilings fan, and will definitely entice you to check out their past catalogue as well as their upcoming album. The single is available now on Spotify and all digital music streaming platforms.

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