Neoborn Caveman – “12 Days of Love” Single

Review by: Justyn W. Brodsky

Neoborn Caveman has graced our platform before. And the more we get to know him, the more versatility of his musical stature comes to light. His single “12 Ways of Love” is definitely a rollercoaster ride of one of his many angles of multifaceted goodness that truly shines on a path that bridges the gap between originality and familiarity; giving us even more insight into NC‘s soundscapes and artistic merit.

Utilizing a more electronically infused signature sound, from beginning to end, NC‘s vocals resonate both lyrically and rhythmically parallel. And that’s what makes this song truly unique – we get to indulge into NC‘s vocal abilities in ways that are multilayered with standouts of their own.

The usage of EDM is very anthemic and organized. Everything flows melodically much like his other material, but, “12 Ways of Love” is a modern treat for the ears that brings forth a futuristic sound that is also comprised of many familiar vocal melody structuring. And that’s another facet of this song – structuring. We get genre-bending elements that are surprising but still smoothly transitioned in a way that doesn’t throw the song off. Oh, and the subtlety in NC‘s voice manages to sustain perfectly alongside his musical character. The many elements used to suspend every measure of this song is chosen wisely and crafted carefully. This song has twists and turns, but never strays from its actual foundation that the track starts with. “12 Ways Of love” is one big dose of versatility with its own sense of sweetness, splendor and charm all doused in one electronic package of compelling production value.

“12 Ways of Love” releases August 31st and will be available everywhere including all digital music streaming platforms.


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Exclusive Review: Phillip Foxley – “I’ll Try ‘Till I Die” LP

Review by: Justyn W. Brodsky

Cover Art of Phillip Foxley’s ‘I’ll Try ‘Till I Die’

I never thought I’d see a clean cut man of Phillip Foxley‘s age performing some of my favorite Rock, Punk and Indie styles. His long lengthy 29-track album, ‘I’ll Try ‘Till I Die,’ is an anthemic collection of songs with crunchy guitar, dynamic leads and vocal melodies that tie it all together into one rockin’ package; and it’s anything but a disappointment.

After releasing a vast array of singles, this debut album, though a long journey of a listen, is worth every listen. Opening track “I’ve Forgotten Something Else!” is an explosive and in-your-face catchy track with some of the best guitar progressions and vocal melody combinations that have been put together in this era. Phillip is not just another musician searching for that next groundbreaking sound that has over theatrical antics with post production; it’s good old plug-in-and-play, writing effective songs, and just going for it. His sound is reminiscent of classic 90s/2000s bands like Saves The Day, Ramones and The Suicide Machines. You hear this right off the bat, he’s not after anything innovative or seeking that next big thing, he just wants to write songs that are fun-filled, energetic and catchy enough to draw you in to his flavorful Rock sound.

Now again, there’s 29 tracks to choose from. While they all maintain consistency, each track offers new angles to Phillip‘s talent; adding in feature artists, instrumentals and different tastes of his signature sound and stylization. His piano track “Promises” is beautifully crafted with waves of backup vocals, gorgeous string arrangements and is hauntingly visceral from the very first listen. This album, literally, has something for everyone and offers up an anthemic sound that is comprised of multifaceted textures and versatile measures. It’s just one of many songs that will surprise you, but still fit among the rest of the album’s content.

Phillip Foxley is quite a find, and anyone that can resonate with the late 80s and 90s Rock sound with classic Emo and Indie flavors will absolutely fall head over heals with this record. It’s currently available on several platforms and we can’t stress enough how much we recommend picking this one up.


Connect with Phillip Foxley:

  • Main/Music: https//linktr.ee/phillipfoxley
  • Twitter: https;//www.twitter.com/foxleyinfo
  • Facebook: https;//www.facebook.com/phillipfoxley

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Exclusive Review: Purple Tone Flower – “If I Were” Single

Review by: Justyn Brodsky

Cover Art of Purple Tone Flower’s Single for “If I Were”

With an upbeat swagger and mid-range vocal tones reminiscent of iconic stars like Bob Marley, Anthony Kedis (RHCP) and Lenny Kravitz, the signature sound of Santiago, Chile’s Purple Tone Flower, the solo project of Mauricio Flores Sánchez, is an eclectic and nostalgic treat that really indulges in yesterday and today’s more flavorful grooves and detail-oriented musicianship factors that touch on several influential genres over the years.

His latest single “If I Were” has a straightforward, groovy throwback rhythm section that really showcases the dynamics of precise high-hat/kick drum and bass lines that always fit the role as the foundation of any song (or group). The keyboard swells diligently enhance the soulful vocal melodies and also stride along perfectly with the mid-ranged guitar tones that really bring out that classic Fender sound similar to Natalie Merchant’s “Carnival” style. The production value is also very notable on this track because of its authenticity. No unnecessary electronic enhancement, no vocal trickery, just finely tuned instruments jamming to an eclectic and crafty tune that has dangerous levels of catchiness and one of the grooviest upbeat structures you could ever want in a jammy track.

“If I Were” really comes out swinging and is bound to get any dance floor up and moving. It authentically showcases several multifaceted angles of Purple Tone Flower‘s sound with distinctive additives that not only make the song better, but more memorable as well. As you will find yourself coming back to this track time and time again. The single is currently available on Spotify, Apple Music and several other digital music streaming platforms.


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Exclusive Review: Juan Carlos Martinez – “Acorralado” Album/LP

Review by: Justyn W. Brodsky

Cover Art of Juan Carlos Martinez’ album “Acorralado”

Not many artists can capture a signature sound quite like veteran Spanish multi-instrumentalist/composer, singer and producer, Juan Carlos Martinez. Integrating an explosive and wholesome style that combines many key elements of Blues, Ska, POP, Rock and textures of Soul, Juan Carlos Martinez comes out swinging with his ten-track juggernaut ‘Acorralado’ and proves that his versatility is untouchable.

Composed diligently with multi-layers of tastefully blended synths, keys and a brilliant horn section, ‘Acorralado’ is a rollercoaster ride of anthemic tunes that all stand out on their own. It’s a rare gem where you don’t ever feel the need to skip over any tracks and really entices you to notice the attentiveness to detail. The sirens go off in opening title track ”Acorralado” with an excellent buildup into an upbeat rhythm section that drives the song forward and showcases what’s to come for the rest of the album. Juan Carlos Martinez‘ well crafted vocals are complimented with on-point harmonies and vocal melody choices that are effective, clean and dynamically projected.

This album’s versatility and diversity is endless, but you can tell it’s coming from the same artist. “Que Sentimiento” is a very progressive song with haunting keyboard parts and intricate guitar textures that really puts an atmospheric twist to the record in very innovative ways. While “Nada Es Mejor” is more funky, witty and upbeat throughout each distinguished measure. Each track of this album showcases a different angle of Juan Carlos Martinez‘ artistic merit and he really takes each approach up to its highest potential. This is a record that literally has something for everyone on it, and the musicianship factors and production value completely speaks for itself with its top-of-the-line quality. This is an album you’ll be bragging about to your friends, and definitely a record for musicians to analyze and adore.


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Exclusive Review: Party Pants – “Party Pants” Single

Review by: Justyn W. Brodsky

Cover Art for Party Pants’ new single “Party Pants”

Party Pants most certainly is quite the party…and you’re invited.

You seriously won’t be disappointed though, you’re in for a lot more than one might expect. Combining an innovative blend of many genre-bending elements of theatrically-infused funk and indie rock, Party Pants brings forth a signature sound that is all about energy, fun and of course, party vibes. And it’s addictive as hell. With smooth beats, a tour de force rhythm section, inventive guitar riffs and theatrical vocals that execute butter-smooth transitions, “Party Pants” is definitely a party you’d gladly accept an invitation for and has a distinctive approach reminiscent of Cash Cash and Men Women & Children. And in the unlikely event that you may not be invited, you’d be more than willing to kick the door in just to make sure you’re there…whatever it takes!

But seriously, all party references aside, this artist has some skilled musicianship carrying the torch throughout this song that lets you know that Party Pants has what it takes to pull ahead of the curve. In fact, most fans and respective industry connections have deemed this song “ahead of its time”, and we won’t disagree anytime soon. This song has twists, turns, and even more twists, which makes it all the more interesting. It’s an unpredictable song that definitely keeps you on your feet, most likely to dance. And that’s the main message that we feel this song proudly boasts: dance, dance, dance your pants off! And then dance some more.

You’ll seriously love this song with an insatiable passion. The track officially dropped back on March 27th and so far has created an unwavering buzz that has definitely put Party Pants on the map in his respective scene, and it’s well deserved. The song is available now on all major digital music streaming. Don’t be a party pooper.


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