Artist Review: Juice Sinatra – “Go” Single

Review by: Justyn Brodsky

This Houston Rapper-on-the-rise is making some serious moves, and for good reason. Google the name Juice Sinatra and you might exhaust yourself after about 16+ pages of results. And that’s one thing this guy has his sights on — results. Also the CEO & Founder Of Sweet November Records, this artist didn’t just come out the gate, he flew out.

Juice Sinatra‘s “Go” isn’t just a wide-received Single, but critically acclaimed as well. This track carries an old school vibe, but wittingly implements some of today’s more notable mainstream sensibilities that makes this banger a song for just about anyone that appreciates Indie Hip Hop the way it’s supposed to be.

With charismatic rhyming schemes and a fun, up-beat to parallel the flowing nature of the production value, Juice delves into a type of lyricism that is edgy, clever, and innovative. With a very unforgettable beat & tempo to help carry the torch, “Go” is one of those tracks that doesn’t need a bombardment of Feature artists, overly compressed vocal theatrics, or any kind of saturation whatsoever; Juice can handle this one all by himself, and it really elevates and demonstrates the tone that he sets to give this song all the likability factors that it has.

Best of all, Juice Sinatra brings his own elements to the table in his own versatile way; something that most artists lack when it comes to executing an effective track. And that’s what we hear on this single — effectiveness. Something that gives you a reason to come back to this song again and again, but at the same time, entice you to dive in deeper into more of Juice‘s catalogue.

The best Hip Hop nowadays 9 times out of 10 comes from the Indie scene. And Juice Sinatra‘s “Go” is definitely one of those memorable tracks that supports this fact. He’s one of those on-the-rise artists you need to pay very close attention to. Because if this is the first time you’ve heard of him, rest assured it definitely won’t be the last.

Connect with Juice Sinatra:

© Artist Reach, LLC | ASCAP | All Rights Reserved


Artist Review Special: Luanne Hunt & Steven Bankey – “Lightning In A Bottle” Duet/Single

Review by: Justyn Brodsky

Acclaimed and widely-received Award Winning Indie Country Star Luanne Hunt has made an astonishing presence on the Artist Reach platform at least twice. And third time is definitely the charm with her new duet-single “Lightning In A Bottle” performed alongside Sioux City Country Artist Steven Bankey.

This song is definitely another one of Hunt‘s upbeat gems with the same lovable and infectiously catchy signature style she is known for. And both voices on this song definitely brings out something special and memorable the more you hear it.

With an old school western-sensibility that ties in some of today’s best Country/Folk elements we’ve all come to know and love, this verse-sharing track is anything but a letdown. We get a story-telling narrative that brings both Hunt and Bankey to the forefront on each verse, while coming together with authentic and innovative vocal harmonies in the chorus to tie it all together into one great foot-stomping package. These two Country stars just soar together beautifully.

The likability factors are there for any Country listener. But it’s not just what is used in this song it’s how it’s used. We have very effective violin parts that parallel beautifully with the steel guitar-fills and piano-licks while showcasing some of the best use of backup tri-harmonies you could hear in such a naturally produced song: making it very busy, but not oversaturated. One thing you’ll be able to pick up on is how dynamic and precise this song’s composition is. It’s not one of those songs in need of relentless synthesizers, compression or auto-tune; this is about as real as it gets and it really sets a great tone for this track and showcases Hunt and Bankey‘s naturally-gifted talent in the most effective ways.

One other thing I found interesting is that even though this song is a duet, it’s not a love song. Which is not a bad thing at all. In fact, I found it more captivating that an upbeat duet is being put to use here without using the “Feature Artist” component. This is a duet for those looking to get out and dance to an amazing Country tune!

Both of these brilliant artists shine bright on “Lightning In A Bottle”. Take a listen for yourself, and we have no doubt you’ll feel the same.

Listen to “Lightning In A Bottle”:

© Artist Reach, LLC | ASCAP | All Rights Reserved

Artist Review: Oxaï Roura

Review by: Justyn Brodsky

This is definitely new food for the ear, with a fresh concept that is both atmospheric and unique.

Those familiar with African polyrhythms and polyphonic chants will definitely identify with French-Guianese Composer & Percussionist/Vocalist Oxaï Roura, a self-taught pioneer of his music & culture who was born in a multicultural family of artists, poets, and musicians; and began his journey into the realm of drumming at the young age of three.

Performing under a genre that mixes a diverse blend of Electronica, Sacred Afro-Brazilian Drums & Bass, and Afroamazonika, Roura‘s music offers up an ambience and atmosphere that is themed around dreams, outer space, and parallel dimensions. Music that could be described in essence with futuristic-electronic sounds, ancient mystic voices, and spiritual percussion from different parts of the world.

With the short-and-sweet vocally driven track “Back From Sirius B (Nommo)”, we get a versatile demonstration of the vocal side of Roura‘s multicultural sound and technique. And although very short in its runtime, it definitely keeps you cliffhanging and intrigued to explore more of what this artist has to offer.

With his second single, “America + Europe 21: The Secret Alien Union”, we definitely get to grasp onto more of the signature style Roura expresses in both his performance and production value. As an attribute to the solar system and the planets altogether, this space-themed track has elements of Industrial and a poetic Hip Hop sensibility that really comes together effectively. It’s something very new and diverse, but captivates a futuristic feel and can give your audio experience a visual component as well. The aura and multifaceted nature of Roura‘s musicianship is definitely at the forefront of this track.

One thing you will gather from a collective artist like Oxaï Roura is a universe of emotion, diversity, intensity, and a multicultural side to musicianship. His music is very acclaimed in his native homeland and is executed in a way that gets you more interested in what he has to offer. He’s definitely an artist you’ll want to invest your time and research into. His story and abilities will exceed your expectations.

Connect with Oxaï Roura:

© Artist Reach, LLC | ASCAP | All Rights Reserved

Artist Review: Cat Beach – “Go to Work” Single

Review by: Justyn Brodsky

Another astonishing and compelling reason that the Nashville music scene never disappoints.

That reason comes in the form of the charismatic and artistically articulate recording artist Cat Beach. A pioneer of the city’s renowned music scene with all the right ingredients to showcase some of today’s finer modernized Country & Blues.

Her hot single “Go to Work” is a perfect demonstration of how these ingredients are mixed with Cat Beach‘s very impressive mid-vocal range and groovy production value. While this song lyrically could be the polar opposite of the acclaimed “Take This Job and Shove It!”, we still get to grasp the same catchiness in a whole new way; except this time, you go to your job rather than quitting it on bad terms.

It’s only a lyrical reference however. The song itself is a very enchanting danceable experience with great backup vocals to compliment Cat Beach‘s fun, witty vocal style and bluesy riffs that drive this song forward. It starts out with a bang and cruises with a modernized take on classic Blues progressions that many famous songs utilize, but has a whole different kind of originality and versatility that emanates from every measure. Its message is conveyed beautifully and makes this song very addictive and quite the fun listen.

“Go to Work” has that staying power that will keep you coming back to this song again and again, as well as entice you to check out more of Cat Beach‘s catalogue. If you dig a catchy tune with a big band experience, then this song is definitely for you; and will give you another reason to absolutely adore the Nashville scene.

Connect with Cat Beach:

© Artist Reach, LLC | ASCAP | All Rights Reserved

Artist Review: Natasha Jane Julian – “Now I Know” Single/EP

Review by: Justyn Brodsky

When it comes to turning heads and capturing the ears, renowned Pop recording artist Natasha Jane Julian does exactly just that with her recent EP Now I Know.

Natasha, from a small mountain town in Southern California, gained a lot of her on-stage experience as a showgirl, performing relentlessly in theatres and dance shows. When Natasha moved her stomping grounds to the landscapes of Florida, her experience in music hit the ground running when she joined forces with an eclectic band called Psychedelic Mist. 

A handful of shows and an EP later as a band, Natasha decided to spread her wings of versatility and began to find her vision as a solo artist by the time 2015 came around, and respectively departed from Psychedelic Mist. 

This is when Natasha began her Artist Development process, and decided to take time off gracing the stage to hone her craft, find her sound, her musical niche, her inspirations as well as aspirations, and even learned piano during this time, which took place around 2016, and even added learning some guitar during the process; refusing to leave a stone unturned. 

After some years of blossoming into a solo artist, Natasha Jane Julian released her debut EP in June 2016, Now I Know. The first single from this freshman-effort was her Rock-influenced track “Gemini Twin”. The EP received positive reception, critical acclaim, and eventually prompted Natasha to make her rounds throughout the cityscapes; she currently has an elite team of musicians now gigging her original songs all over the US, UK, and more.

But the one that really stands out is her EP-title track, “Now I Know”. A song that’s tight, well-put-together, and charismatic. Natasha‘s mid to high singing approach breathes life into this song and really parallels the musicianship, as well as structures. It screams with melody as well and fits every piece of the song like puzzle pieces. So I have to really tip my hat to Natasha Jane Julian. Her musical acclaim and path is very promising.

Connect with Natasha Jane Julian:

© Artist Reach, LLC | ASCAP | All Rights Reserved

Artist Review: Wounded Spirit – “Stand Up (featuring Har-Q)”

Review by: Justyn Brodsky

When it comes to production value, this band supercharges it with top-notch quality and beautifully executed multi-genre, multifaceted, and even multilayered qualities. 

Wounded Spirit‘s extremely versatile single “Stand Up”, featuring some rhymes and bars from Har-Q, and also accompanied by an entertaining animated music video, pulls out all the stops to give you a song that not only puts great energy and moods in the air, but also gives you an uplifting message and the hankering to, well, stand up. And perhaps jump around and dance quite a bit.

With witty verses that Har-Q delivers us in a very unique and clever manner, we also get some very clean and impressive vocals with an excellent range; and gives the song high likability factors with the sharing of the verses, and really prepares you for a very powerful chorus that not only deepens the message, but is also utilized with an amazing post production mix that includes a choir-stylized and almost gang vocal-edged way of making this song’s chorus explosive and unforgettably melodic. It’s a flawless chorus that really captures your soul, and your knack for dancing.

Whether intended or not, the avatar-stylized animation is not only fun to watch, but brings a nurtured humor with it as well. And now that I really think about it, I’m more than positive that the video was intended to have its humor. It really adds to the song’s (and band’s) overall character; the charisma, the message, the good-nature of having fun, and playing the music they really believe in.

It’s hard to really pick out one defining factor that sells you on this song. There are so many positive twists and turns, top-notch production value, and amazing Songwriting structures that turns this song more into an anthem. You’ll be very surprised at just how impressive Wounded Spirit is. They’re not a band that needs several listens to “grow on you”. They’ll grow on you right from the very first listen.

Connect with Wounded Spirit:

© Artist Reach, LLC | ASCAP | All Rights Reserved

Artist Album Review: Elix Risqué – “Champagne Problems” LP

Review by: Justyn Brodsky

One thing about this EDM-oriented Pop Artist is the strong image and versatility. Elix Risqué has put together a very infectious collection of tracks with the artist’s release Champagne Problems. A rollercoaster of emotions, upbeat anthems, and ballads that really showcases different angles to the artist.

With a captivating low-to-mid range voice, we get a great start with energetically opening track “Come to Life“. A fun, witty, catchy song that captivates both the EDM and Pop sensibilities that perfectly parallel each other to get both elements of the song expressed in the strongest ways to showcase this track. 

The follow-up tracks , “Dark Stranger” and “I Bet You Like It” sticks to an upbeat formula that really brings forth the energy and still beckons a signature sound that sets Elix Risqué apart from artists that attempt this prototype of EDM or genres that express this type of versatility. They’re very addictive, and really portray a style you don’t hear everyday with this type of EDM-oriented execution.

Next track, “Losing Control”, has in my opinion, the best vocal structures and catchiest hooks on  this LP. The syllables are correctly placed with some of the best melodies that have been conjured so far on this record.

The track “Do You See Me” is definitely one of my favorites. It’s one of the ballads of the LP with chord progressions that allow some of the best vocal structures and melodies to be integrated into this track. And Risqué doesn’t take any risks with this; the vocal melodies and powerful ear-catching chorus takes full advantage of the open opportunity to put together something powerful, and utilized this opportunity in the correct direction.

And that’s what this album is about to me–utilization. Knowing where to put these songs on this album and where. Having an ear for detail and to keep the listener listening. It has an energy and subtle crossover that breathes ambience into this album as well. It’s a great album and it’s one that will captivate you with its versatile and raw sound.

Connect with Elix Risqué:

© Artist Reach, LLC | ASCAP | All Rights Reserved