Exclusive Review: Phillip Gilchrist – “Song On the Radio” Single

Review by; Justyn Brodsky

Cover Art of Phillip Gilchrist’s single “Song On The Radio”

With a passion for fashion and leaving an everlasting impression with his versatile vocal compositions, R&B singer Phillip Gilchrist will do you no wrong. He’s very multifaceted, melodic and really gives your ears quite the treat. His signature sound is perfect for today’s Pop and R&B realm and really proves it two-fold with his newest single “Song On The Radio.”

Not trying to be witty or anything, but this song definitely should be on the radio. The catchiness of the chorus on this song is one you’d definitely hear on any Top 10 radio countdown. Phillip‘s voice really carries the torch on this track with his mid-to-high vocal range and really sings with his own stylization reminiscent of Ne-Yo, Usher and others of a similar caliber. This song is definitely for the ladies though; it’s sexy, has plenty of swagger and really gets the sweat going once the track starts to move you. Whether you’re in a club or by yourselves, this song’s magic takes you with it.

This song has some incredible power that goes way passed the radio, but definitely sharpens the edges of a solid hit that could cut through the airwaves. It’s a home run, touch down, and goal all at once. The production value is right where it needs to be, the post production doesn’t have unnecessary antics and the authenticity of the vocal progressions are naturally executed. Once you take a listen to “Song On The Radio,” you’ll be keeping tabs on Phillip Gilchrist‘s career, including an EP he currently has in the works. You can find this current single on Spotify, Apple Music, and several other digital music streaming platforms.


Connect with Phillip Gilchrist:

© Artist Reach, LC | ASCAP | All Rights Reserved

Neoborn Caveman – “12 Days of Love” Single

Review by: Justyn W. Brodsky

Neoborn Caveman has graced our platform before. And the more we get to know him, the more versatility of his musical stature comes to light. His single “12 Ways of Love” is definitely a rollercoaster ride of one of his many angles of multifaceted goodness that truly shines on a path that bridges the gap between originality and familiarity; giving us even more insight into NC‘s soundscapes and artistic merit.

Utilizing a more electronically infused signature sound, from beginning to end, NC‘s vocals resonate both lyrically and rhythmically parallel. And that’s what makes this song truly unique – we get to indulge into NC‘s vocal abilities in ways that are multilayered with standouts of their own.

The usage of EDM is very anthemic and organized. Everything flows melodically much like his other material, but, “12 Ways of Love” is a modern treat for the ears that brings forth a futuristic sound that is also comprised of many familiar vocal melody structuring. And that’s another facet of this song – structuring. We get genre-bending elements that are surprising but still smoothly transitioned in a way that doesn’t throw the song off. Oh, and the subtlety in NC‘s voice manages to sustain perfectly alongside his musical character. The many elements used to suspend every measure of this song is chosen wisely and crafted carefully. This song has twists and turns, but never strays from its actual foundation that the track starts with. “12 Ways Of love” is one big dose of versatility with its own sense of sweetness, splendor and charm all doused in one electronic package of compelling production value.

“12 Ways of Love” releases August 31st and will be available everywhere including all digital music streaming platforms.


Connect with Neoborn Caveman:

Uhh © Artist Reach, LLC | ASCAP | All Rights Reserved

Exclusive Review: West Of House – “Crescendo Of Silence” Album/LP

Review by: Justyn W. Brodsky

Cover Art of West Of House’s “Crescendo of Silence” Album

Emerging from the cityscapes of Orange County in California, Alt/Indie band West of House began hitting the ground this past year in December 2019 when the quintet got together through their respective music scene, most coming from different bands over the years. As chemistry formed quickly, the band came together as five top of the line musicians to form a solid lineup ready to create some next-level music that would share reminiscences of Pink Floyd, Radiohead, U2, The Cure and many others of a similar caliber. After several months of composing, creating and combining their respective talents into one powerful unit, the band’s album ‘Crescendo of Silence’ would emerge and fire up the band’s fan base, as well as new listeners; beginning a career that showed an immense amount of promise in the future, but some high expectations as well due to the anticipation of what they had in store for the debut album.

The band’s distinctive Alt/Rock signature sound lays down a unique foundation with balance and composure that touches on equal parts originality and familiarity; utilizing a sound that has well known stylizations, as well as freshness among the five members and their individual contributions to the band’s overall sound. Opening track “Yesterdays” is triumphantly anthemic and has production value that compliments the top notch song writing and precise vocals this track serves up. The chorus is wholesome, the verses are effective and the upper 3rd harmonies really demonstrate an unrelenting vocal range coming from singer Erick Bieger. It’s definitely a standout track among others like the more upbeat “Echoes Down The Road,” a song that cruises from beginning to end with powerful Major key chords that really leave open room for melodically magnificent vocals. It’s a solid track that really changes up the pace and really brings true melody to the album that stands out from every angle; making it a record that explores some of the best tones an Alt/Record could really bring to the forefront.

‘Crescendo of Silence’ is an innovative album of ten tracks that really puts West of House on a pedestal of their own. It has every element you’d expect from an alt/rock record plus so much more. It’s just something you’d have to hear to believe. The album will be available September 4th on Spotify and several other music streaming platforms. In the meantime, check out their other music below.


Connect with West of House:

© Artist Reach, LLC | ASCAP | All Rights Reserved

Exclusive Review: Phillip Foxley – “I’ll Try ‘Till I Die” LP

Review by: Justyn W. Brodsky

Cover Art of Phillip Foxley’s ‘I’ll Try ‘Till I Die’

I never thought I’d see a clean cut man of Phillip Foxley‘s age performing some of my favorite Rock, Punk and Indie styles. His long lengthy 29-track album, ‘I’ll Try ‘Till I Die,’ is an anthemic collection of songs with crunchy guitar, dynamic leads and vocal melodies that tie it all together into one rockin’ package; and it’s anything but a disappointment.

After releasing a vast array of singles, this debut album, though a long journey of a listen, is worth every listen. Opening track “I’ve Forgotten Something Else!” is an explosive and in-your-face catchy track with some of the best guitar progressions and vocal melody combinations that have been put together in this era. Phillip is not just another musician searching for that next groundbreaking sound that has over theatrical antics with post production; it’s good old plug-in-and-play, writing effective songs, and just going for it. His sound is reminiscent of classic 90s/2000s bands like Saves The Day, Ramones and The Suicide Machines. You hear this right off the bat, he’s not after anything innovative or seeking that next big thing, he just wants to write songs that are fun-filled, energetic and catchy enough to draw you in to his flavorful Rock sound.

Now again, there’s 29 tracks to choose from. While they all maintain consistency, each track offers new angles to Phillip‘s talent; adding in feature artists, instrumentals and different tastes of his signature sound and stylization. His piano track “Promises” is beautifully crafted with waves of backup vocals, gorgeous string arrangements and is hauntingly visceral from the very first listen. This album, literally, has something for everyone and offers up an anthemic sound that is comprised of multifaceted textures and versatile measures. It’s just one of many songs that will surprise you, but still fit among the rest of the album’s content.

Phillip Foxley is quite a find, and anyone that can resonate with the late 80s and 90s Rock sound with classic Emo and Indie flavors will absolutely fall head over heals with this record. It’s currently available on several platforms and we can’t stress enough how much we recommend picking this one up.


Connect with Phillip Foxley:

  • Main/Music: https//linktr.ee/phillipfoxley
  • Twitter: https;//www.twitter.com/foxleyinfo
  • Facebook: https;//www.facebook.com/phillipfoxley

© Artist Reach, LLC | ASCAP | All Rights Reserved

Exclusive Review: Purple Tone Flower – “If I Were” Single

Review by: Justyn Brodsky

Cover Art of Purple Tone Flower’s Single for “If I Were”

With an upbeat swagger and mid-range vocal tones reminiscent of iconic stars like Bob Marley, Anthony Kedis (RHCP) and Lenny Kravitz, the signature sound of Santiago, Chile’s Purple Tone Flower, the solo project of Mauricio Flores Sánchez, is an eclectic and nostalgic treat that really indulges in yesterday and today’s more flavorful grooves and detail-oriented musicianship factors that touch on several influential genres over the years.

His latest single “If I Were” has a straightforward, groovy throwback rhythm section that really showcases the dynamics of precise high-hat/kick drum and bass lines that always fit the role as the foundation of any song (or group). The keyboard swells diligently enhance the soulful vocal melodies and also stride along perfectly with the mid-ranged guitar tones that really bring out that classic Fender sound similar to Natalie Merchant’s “Carnival” style. The production value is also very notable on this track because of its authenticity. No unnecessary electronic enhancement, no vocal trickery, just finely tuned instruments jamming to an eclectic and crafty tune that has dangerous levels of catchiness and one of the grooviest upbeat structures you could ever want in a jammy track.

“If I Were” really comes out swinging and is bound to get any dance floor up and moving. It authentically showcases several multifaceted angles of Purple Tone Flower‘s sound with distinctive additives that not only make the song better, but more memorable as well. As you will find yourself coming back to this track time and time again. The single is currently available on Spotify, Apple Music and several other digital music streaming platforms.


Connect with Purple Tone Flower:

© Artist Reach, LLC | ASCAP | All Rights Reserved